“They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  My Favourite Records

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

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  Seasick Steve Alive & Kickin’

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  Joe Bonamassa Live LP & Tour

  “My country, right or wrong…”

  Heart Announce Live Tours

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  Gaza Nightmare Continues

  Download 2024 First Acts

  Princess Goes COME OF AGE

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  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

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  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

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  The State We’re In Pt II

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  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Amy Macdonald Rescheduled Gig

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

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  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

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  Lamb Live in Manchester

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  Sting & Shaggy Live

  Ana Popovic, Lynne Jackaman Live

  David Gray Live in Liverpool

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  Karine Polwart Trio Live

  Benjamin Folke Thomas Live

  Chilly Gonzales Live

  Gomez Live in Manchester

  John Lennon Interview

  Ray LaMontagne Live

  Satriani’s G3 Live

  Jim White Live in Manchester

  Tori Amos Live

  Bush & RavenEye Live

  Laura Marling Live

  Jimmy Eat World Live

  Roger Waters on Amused To Death


Matt Bianco New LP

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Matt Bianco New Cool Collective HIGH ANXIETY. Dox Records

In 2015 a string of inspirational encounters led Matt Bianco founder and singer Mark Reilly to combine forces with Amsterdam based jazz pioneers New Cool Collective for a collaboration that resulted in an album entitled ‘The Things You Love’. Reilly subsequently released another successful Matt Bianco album in 2017 entitled ‘Gravity’ and toured around the world to promote it. Fast forward to early 2020, and both parties found themselves recording together again in Amsterdam, adding the South American cumbia and other new sounds to their joint fascination with Latin, jazz, soul and R&B.

“Although I attended some rehearsals in Amsterdam to work on arrangements of song ideas NCC had put together, I deliberately didn’t present many song ideas myself. For me it would be an interesting challenge as the essence of collaboration is that creatively you arrive at a piece of work you wouldn’t have thought of if you had written everything yourself,” explains Mark Reilly.

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The coronavirus pandemic struck in the middle of the sessions, resulting in further recordings having to be made from a distance.

Continues Reilly: “It was quite daunting at first when NCC sent me ten backing tracks from their live recording sessions to work on in my studio in the UK, but I soon got into it, sending rough mixes back to them for comments as the tunes became complete with melodies, vocals, lyrics and sometimes rearrangements of the tracks.”

After a period of intense online collaboration, the album began to take shape.

I started doing the mixes and sending them over to NCC for comments and after making a series of adjustments back and forth we arrived with an album we were all really excited about,” Reilly recalls.

The result is HIGH ANXIETY, a record that sees both parties taking a giant step forward from their first project together and one that ranges from brisk uptempo numbers such as the title track to the mysterious cumbia-influenced ‘When the Ghosts Come Out to Play’.

http://www.mattbianco.com/

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Review

I still possess and play 1984’s WHOSE SIDE ARE YOU ON by Matt Bianco which caused such a worldwide stir back then, and has even been reissued in a special form in 2016. The combination of jazz and Latino sounds brought the genre into the mainstream like few other releases. HIGH ANXIETY follows a similar path albeit with a much greater Mexican/Latino ingredient. Mark Reilly takes the lead vocal role throughout, starting with the breakneck speed of title track ‘High Anxiety’ with its heavy brass and powerful rhythmic backdrop. The melody comes in truckloads - it’s a throbbing, exciting opening line.

The heavy Latin tones of ‘The Big Mouth’ comes next and with it the need to get those Latin dance legs motivated. Superb. ‘When The Ghosts Come out To Play’ has a cinematic feel as it winds its scary way through its Middle Eastern influence (you can imagine the belly dancers winding their way around the dance floor to this one…). ‘The Spice Of Life’ is an audiophile beauty with its opening ocean-deep bass line and continuing rhythmic underbelly. The sound clarity is nothing short of stunning.

‘I Won’t Be Sad To See You Go’ has a disticnt basa nova flavour, driving rhythm and strong melody. Instrumental performances so far are masterful and this is no exception including some wonderful jass sax moments. It’s one of my record highlights. ‘Unconditional’ is slow, calculating lounge jazz and noptable also for Reilly’s relaxed and smooth vocal performance. ‘Grain Of Sand’ ups the pace a little in what is another smooth jazz ballad with meaningful romantic lyrics: “The time has come for me to say it’s over, it’s over/I thought our love would be like grains of sand running through my hands.”

‘It’s The Same Old Story’ Reilly returns with another liquid vocal with snatches of trumpet punctuating the song. ‘If You Feel Like Dancing’ is made for the dance floor and fast rotating Latin hips. This is an album for our times: It’s joyous, exhuberant with subtle changes of mood. The instrumental performances are superb, while vocals are tailormade and excellent. If you like jazz with a distinctly Latin flavour and do a little ’strictly’ in your lounge, this is for you.

4/5

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