Jesca Hoop Live On the dot of nine Hoop arrived on stage flanked by Chloe Foy and another female musician with the presence of three mics indicating that the other ladies would be provided substantial vocal input. Dressed like wizards they were suitably atired for their surroundings…Hoop is a tall dominating figure who greeted her audience with open arms and the first song, ‘Hatred Had A Mother’. This was very much an ensemble piece with a Celt-style hand drum beating a steady rhythm (supplied to many songs on the night). Hoop, though American, centred this song, and most performed, on the English folk tradition (Hoop has lived in England for several years) albeit in a very modern and distinctive form. Hoop’s vocal was impressive and matched to the musical style, while the harmonies provided by her supporting players were flawless. The song’s melody was powerful while the lyrics portrayed a rather bleak message: When you find good people Throughout the set the original nature of the music and their delivery remained distinctive while Hoop talked to the audience in between songs in deadly seriousness camouflaged by humour. The response from the audience was genuine and enthusiastic which made me believe they knew about this lady than I did. The setlist covered both her latest LP and her back-catalogue. Hoop proved to be a polished performer who sang songs engorged with person experiences and observations. Melodies, the style and qality of performance marked Hoop out as a deeply individual and original but accessible artist. At the end that an encore was demanded and delivered that completed a memorable and highly entertaining night. ‘Passage’s End’ There’s a house in the middle of the ocean Setlist Hatred Has A Mother https://www.youtube.com/watch?v=0thV8KVgDhQ |
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