Forest Live 2025

  The Commoners Live

  Montreux British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

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  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

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  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

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  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Dream Theater Interview

header_mike-portnoy2

What are the reasons you think other bands struggle to go the distance?

For us, it’s been a great journey. I mean I don’t think I could have written a better script, and we’re still growing and developing. There’s so many bands that when they get to the twenty-year mark they kinda have peaked and are on the downside. But for us we’re feeling incredibly vital creatively. We are still going to new places and making new fans and playing bigger places. So it’s still an uphill journey for us. I mean on one hand we’ve achieved so much within our little progressive metal bubble, but in the big picture of the big world, we’re still almost a cult band. So there’s so much more room to grow. It’s kinda the best of both worlds.

What influence do you think your type of music has had on the length of your career?

I think the key to our longevity is that we’ve never been in fashion. We’ve never been a popular sound and style, and we’re not everybody’s cup of tea. And we know that and we’ve always known that. We just do what we do and I think that’s been a big part of the appeal of Dream Theater to the existing fans. But I think it’s also been the key to our longevity, because any band that immediately tries to do a certain sound that’s in style and popular may have a quick rise but they may have a quick fall once that trend comes and goes. We’ve never been part of a trend or style, although progressive music right now in 2009 is probably bigger than it’s ever been since the 70’s. So hopefully we’re not going to die when this dies. Hopefully, we’ll still be standing.

753px-dream_theater_2326994259_c689a5f104_o

Your music seems to attract younger music fans when a lot of ‘progressive rock’ bands mainly appeal to older audiences. What’s the appeal?

I think the biggest difference between us and the progressive rock bands of the 70’s, like Genesis, Yes, Pink Floyd, King Crimson - back then they really only had a certain sound or style. But progressive music in 2009 has so many different elements you know. You can have metal bands like Mastodon and Opeth, or you can have more alternative bands like Radiohead, and Dream Theater really embraces all of it - like any good progressive
band will. And that’s the thing, our audience is still growing. We toured with Yes and toured with Deep Purple, and when we did those tours you could see their audiences were still people from the 70’s. It was our audience at those shows that were always the young people, whereas you come to Dream Theater I think you see a range from kids who are metal-heads and young musicians, ranging all the way to people in the fiftees and sixtees
who grew up in the heyday of progressive rock in the 60’s and 70’s. I think we’re just one of those bands who incorporates many different styles, and as a result will attract many different people.

Who else do you listen to?

More so than the other guys in Dream Theater, I am always going to be a huge, huge music fan, I’m always going to be the same twelve-year-old kid that was sitting in my room listening to Kiss records and Ramones records. That’s still me, I just happen to be forty-two and I just happen to be on the other side of the stage. But I’m always going to be a fan of music and today I listen just as much to Lamb Of God just as much as I listen to Genesis.

You played Download this year. How was it?

My memory of playing Download in 2007 is that it was intense - get it? ‘Cos we played in a tent… So it was nice to play outdoors on the main stage. But playing Download the first time was awesome. It was a great career achievement, we always wanted to play there, and it was nice to be invited and it was great to be invited back to the main stage. Hopefully, we breathed some progressive fresh metal life into Sunday’s lineup.

What’s left to achieve?

I can’t say there’s any specific goals or dreams at this point. We really have, and it may sound like a cliche, but all our dreams have come true. I mean, we’ve done some amazing shows, some great albums that we feel artistically satisfied by. We’ve toured with almost everyone of our heroes, and favourite bands. We’ve played almost all of the venues we’ve dreamed of playing - there might be a few left. We never played the Royal Albert
Hall, I’ve always wanted to play there. So maybe that’s something that can still happen for us in the future, here in London.

 dream_theater_japan

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