Forest Live 2025

  The Commoners Live

  Montreux British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

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  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

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  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


New Albums

bloodred-11

Blood Red Shoes GET TRAGIC. Jazz Life 2

I last saw this band perform at Liverpool’s Sound City festival and was very impressed, and especially with the sound produced from justdrums and a guitar. The duo were amazing with Laura-Mary Carter providing a vocal of tremendous power and range. Electronic ‘Eye To Eye’ opens the album is a slowly drifting cloud of a song which boasts great production (from Nick Launay - Yeah Yeah Yeahs, Arcade Fire, Nick Cave and The Bad Seeds), haunting atmosphere and its fair share of melody. Next comes ‘Mexican Dress’ which is a pop-rock song with a driving bass rhythm, catchy choruses and truckloads of melody. It could well be the band’s first single off the album.

‘Bangs’ offers up generous helpings of adventure with its thumping beat, distant vocals featuring Steve Ansell. It’s certainly one of the highlights of this excellent album and potentially another all-conquering single. ‘Nearer’ is arguably the darkest song here with its distorted guitars, pleading vocals and suffocating ambience. ‘Beverly’ features a deadbeat drum rhythm with Carter’s voice flowing over it in contemplative style. Lyrically, it’s reflective of the following story of the duos battles to survive. At this point I’m hoping to catch this band perform again and specifically with a setlist brimming with these tunes…

‘Find My Own Remorse’ is an electronic humdinger with Ansell again featuring against a heart-beat backdrop. It’s a clever song full of sonic wonders and deep, emotional meaning. It’s another highlight and highly distinctive. ‘Howl’ features Carter back on full vocal duties explaing how the relationship affected here. There’s desperation in her voice - “I’ve been waiting on my own” - while melody and Ansell’s drums drive the message home.

‘Anxiety’ is one of the rockiest songs here with Carter’s guitar riff dominating angrily while Ansell pleads. There’s eleven great songs here that should place Blood Red Shoes back in touch and beating the rather unimaginative music fodder we are fed each day on radio. This is the band’s best album to-date and given radio with a fair wind should create many new friends. Essential

red-11

4.5/5

https://www.bloodredshoes.co.uk/

Background

Few acts have gone to hell and back (repeatadly) and come back fighting:

Brighton duo BLOOD RED SHOES have announced a handful of intimate UK and European dates for 2019; in support of the release of their fifth album GET TRAGIC. If you’ll excuse the idiom, Blood Red Shoes have been through hell and back. Accidents, heartbreak and a career curse have plagued the Brighton duo on the road to their new LP, the appropriately-, knowingly-titled Get Tragic. “I don’t even know when this began,” laughs Laura-Mary Carter, nervously. “It feels like… a lifetime.”

Relentlessly gigging off the back of their 2014 self-produced and self-titled record, the heels finally fell off of Blood Red Shoes at the end of that same year. “We finished touring and then we…” Laura breaks off, “we weren’t sure if we were gonna be a band anymore.” Drummer Steven Ansell interjects with his habitual bluntness: “We fuckin’ hated each other, is what you’re politely trying to say.”

A near-decade of incessant road time and a non-stop pace of life finally took its toll, they explain. Stopping only to quickly hammer out “another ten songs” to release as their next record, before ploughing straight back into touring, the pair exhausted themselves to the point of collapse. “We didn’t, at any point, have a breather,” says Steven, “We probably didn’t see each other for about 10 days a year, tops, for six or seven years.” Understandably, such incessant close proximity led to implosion. “We got the to the end of the fourth record and were like, ‘Fuck you, I never want to see you again’,” Steven adds, half-laughing, half-sighing.

Laura packed her bags and bought a ticket to Los Angeles, a complete radio-silence between the two bandmates stretching on for months. She fell in with a songwriter’s crowd, penning tracks and collaborations with big-time pop producers and pitching songs for the likes of Rihanna. It provided her with “a lot of time to reassess,” she says. Steven, conversely, “went out and took drugs and went clubbing for about half a year,” he laughs. “I don’t remember a lot about it. Classic break-up move, right?”

That’s the whole running theme of this record,” says Steven. “The reason we called it GET TRAGIC is because we realised that everything we’ve been doing over the last three years is kinda tragic!” he says, prompting laughter from the pair. “Just like, ‘Ooh, I hate you, I’m going to America to find myself’, and like ‘Ooh, I’m gonna party for the rest of the year!’ Everything about it is such a cliché – we were like, ‘We’ve turned into a fuckin tragedy!’”

red-21

GET TRAGIC, then, fully embraces the absurdity of Blood Red Shoes’ situation. As a result, the pair come out the other side sounding fresher and more assured than ever. “It got to a point where it was like, if this is gonna work, we’ve gotta change everything,” stresses Laura, while Steve adds that at one point, they even considered ditching the band name. Recording in the States, working with a new producer, ditching the two-piece rock rulebook they arguably helped write – everything that went into GET TRAGIC was a leap into the unknown. “So, we decided we were gonna do that,” says Laura, “and then… everything from that point has been a total disaster.”

If you thought a near-break up was the be-all and end-all of Blood Red Shoes’ tragedy, you’re not even part-way there. Their first move, post-reconciliation? A writing retreat in rural Wales, which saw them woken up by the village community leaders, who entered the house while they were sleeping and banished them from town, fearful of the rock group’s proximity to the local church. “It was literally one step away from like, pitchforks,” says Steven. “The road was called Dark Lane,” adds Laura, “Like, for fuck’s sake.”

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