Plants and Animals THE JUNGLE LP

  Skunk Anansie Rescheduled Tour

  CHERNOBYL By Serhii Plokhy

  New Springsteen LP

  The Beatles: GET BACK Book

  New Epiphone Wildkat Review

  Metallica’s S&M2 Review

  Barbara Thompson @ The BBC

  Delicate Sound Of Thunder

  John Lennon 1980: The Last Days…

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  Roger Waters: US + THEM. Live DVD

  The Strokes Are Back!


  Pink Floyd YouTube Festival

  New Album Reviews

  Clem Snide, An LP For Now

  Montreux Jazz Fest at Home!

  Photojournalism Hero

  Samantha Fish Live

  Black Deer Festival Latest

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Camden Rocks 2019 - Day 2

  Camden Rocks 2019 - Day 1

  Sting & Shaggy Live

  Blancmange & Bernholz Live

  Ana Popovic, Lynne Jackaman Live

  David Gray Live in Liverpool

  The Slow Readers Club Live

  Isreal Nash & Joana Serrat Live

  Karine Polwart Trio Live

  Spear Of Destiny Live

  Benjamin Folke Thomas Live

  Chilly Gonzales Live

  Gomez Live in Manchester

  John Lennon Interview

  Anna Burch Live

  Ray LaMontagne Live

  Satriani’s G3 Live

  Stick In The Wheel Live

  Halo Maud, Baxter Dury Live

  Matthew Logan Vasquez Live

  The Barr Brothers Live

  Emily Barker Live in Manchester

  Jim White Live in Manchester

  Tori Amos Live

  Bush & RavenEye Live

  Grandaddy Live

  Laura Marling Live

  Martha Wainwright Live

  Rachael Yamagata Live

  Jimmy Eat World Live

  Beverley Knight Live

  Ludovico Einaudi Live

  Roger Waters on Amused To Death

New Album Reviews


Braids SHADOW OFFERING. Secret City Records

There’s more hopefulness in this record than anything else I’ve written. I think the songs are more human, more tangible, more honest.” - Raphaelle Standell-Preston

Montreal-based three-piece (Raphaelle Standell-Preston - guitar, keyboards, lead vocals; Austin Tufts - drums, vocals; Taylor Smith - bass, guitar, percussion, vocals) indie art rock band Braids formed in 2007 in Alberta. The band has won several awards in Canada and garnered excellent reviews from the USA and the UK. This, their fourth album was produced by Chris Walla (Death Cab For Cutie).

“‘Snow Angel’ was written in the immediate wake of the 2016 U.S. election, as our collective conscience took a sharp inhale,” says the band in a written statement. “It’s a diary entry of sorts – a snapshot of the mind grappling with our era’s endless barrage of content and destruction, continents away and close to home. This moment, with our world in the midst of a pandemic, is admittedly a new context. But I can’t help but sense the song speaks to feelings many of us are experiencing – uncertainty, angst and a desperate desire to make sense of it all.”

Singer Raphaelle Standell-Preston elaborates: “For me, it was deeply therapeutic to write and sing this song; saying things out loud can help us to not feel so alone, can help validate our natural fears about the future of our world, and can bring to light some of the hard questions that many of us are asking ourselves. I believe that art can change our relationship to fear. We hope this song can offer you a moment of catharsis and relief, in the same way writing and performing it has for us.”


It’s easy to see why Braids is the top art-rock band in Canada. The opening of the album’s first track ‘Here For U’ is quiet backed by delicate piano notes and a visceral Standell-Preston voice that compells one to keep listening. The chorus erupts out of the silence before the fragility returns. I’m reminded of Kate Bush at her intimate best. It’s a brave but utterly beautiful opening romantic gambit.

‘Young Buck’ is next and changes completely with a pacier, rockier and more rhythmic sound. The vocal is more passionate and aggressive - a complete turnaround. Lyrically, it exhibits the strength of the band’s song-writing:

“Shook my foundation/Young buck, 22-year old who treats me badly/The blaring example of what I am drawn towards and should strongly move away from/Young buck/Was just a new chapter/While I’m playing this waiting game/For the one/I think I’ll love forever/But we’re still not together/Together. ‘Eclipse’ follows the same more extrovert path but with a vocal that screams expression and with piano providing a relentless rhythm in the background. ”

‘Just Let Me’ reverts to the more personal and intimate with a well-judged raising of the temperature in the choruses. It’s one of my many favourites on a record that’s never short of door-opening melodies. At this point I have to acknowledge the marvellous job done by Chris Walla in conveying the mood swings and delicacy here. ‘Upheaval II’ offers up further sonic diversity in a mid-paced rocker with percussion providing a solid foundation. ‘Fear Of Men’ changes yet again with darting electronics offering a distinctive and effective backdrop to another fragile Standell-Preston vocal that occasionally ignites with great emotion.

The fast-moving lead single ‘Snow Angel’ is next and underlines the partial topical and polemic nature of the album:

“Focusing on a flower/The clouds overhead/The lips of my lover/Mother Nature and her offerings/A reminder that life is beautiful still/Amongst all the madness, the chaos/The need to march in the streets/Fake news, and indoctrination/Closed borders, and deportation/I’ve been deeply sad/A sadness deeper than after reduction/Am I only just realizing the injustice that exists?/Cloaked in white privilege since the day I was born/Blinders on, blinders on/It’s a feeling where I wonder if everything is gonna be okay/And when I say everything, I’m not talking about my little everything, my little life/I mean the planet, I mean the oceans, people fighting for the right to a safe life/ The polars bears floating away on a brink of ice/What have we done to them?/The only way I can ease the all consuming, rising feeling, as we reach no return is to grab that pillow and give a good, long scream/Sit with the release/Maybe go for a run/Come home, turn on the TV, go numb for a bit/Look at the suffering that I cause, that I cause, that I, I, I, I, I/I recycle, I compost, I buy second-hand/God, I’m disgusting/Like that’s enough of a plan/Staring at my iPhone Green smoothie recipe/How to start your day right/Slipped right through my hand/Clean up the glass on the ground…”

Much of this verse is talked which adds to the drama and intensity of the song. It’s an adventurous and original masterpiece. ‘Ocean’ is a song that wanders along like a gently burbling mountain stream. ‘Note To Self’ with its brushed snare drums, subtle piano notes and contemplative vocal ends this brilliant and beautiful album on a high note. Put simply if you buy one album in 2020, make it this one. ESSENTIAL.


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