Forest Live 2025

  The Commoners Live

  Montreux British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

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  The Swell Season LP & Tour

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  EARTH DAY 2025

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  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

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  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

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  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

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  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

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  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

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  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

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  Lucy Kruger TRANSIT TAPES

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  Rodrigo Y Gabriela Interview

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  Happy New Year?

  On Barbra Streisand

  The State We’re In…

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  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

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  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


New Album Reviews

braids-1

Braids SHADOW OFFERING. Secret City Records

There’s more hopefulness in this record than anything else I’ve written. I think the songs are more human, more tangible, more honest.” - Raphaelle Standell-Preston

Montreal-based three-piece (Raphaelle Standell-Preston - guitar, keyboards, lead vocals; Austin Tufts - drums, vocals; Taylor Smith - bass, guitar, percussion, vocals) indie art rock band Braids formed in 2007 in Alberta. The band has won several awards in Canada and garnered excellent reviews from the USA and the UK. This, their fourth album was produced by Chris Walla (Death Cab For Cutie).

“‘Snow Angel’ was written in the immediate wake of the 2016 U.S. election, as our collective conscience took a sharp inhale,” says the band in a written statement. “It’s a diary entry of sorts – a snapshot of the mind grappling with our era’s endless barrage of content and destruction, continents away and close to home. This moment, with our world in the midst of a pandemic, is admittedly a new context. But I can’t help but sense the song speaks to feelings many of us are experiencing – uncertainty, angst and a desperate desire to make sense of it all.”

Singer Raphaelle Standell-Preston elaborates: “For me, it was deeply therapeutic to write and sing this song; saying things out loud can help us to not feel so alone, can help validate our natural fears about the future of our world, and can bring to light some of the hard questions that many of us are asking ourselves. I believe that art can change our relationship to fear. We hope this song can offer you a moment of catharsis and relief, in the same way writing and performing it has for us.”

Review

It’s easy to see why Braids is the top art-rock band in Canada. The opening of the album’s first track ‘Here For U’ is quiet backed by delicate piano notes and a visceral Standell-Preston voice that compells one to keep listening. The chorus erupts out of the silence before the fragility returns. I’m reminded of Kate Bush at her intimate best. It’s a brave but utterly beautiful opening romantic gambit.

‘Young Buck’ is next and changes completely with a pacier, rockier and more rhythmic sound. The vocal is more passionate and aggressive - a complete turnaround. Lyrically, it exhibits the strength of the band’s song-writing:

“Shook my foundation/Young buck, 22-year old who treats me badly/The blaring example of what I am drawn towards and should strongly move away from/Young buck/Was just a new chapter/While I’m playing this waiting game/For the one/I think I’ll love forever/But we’re still not together/Together. ‘Eclipse’ follows the same more extrovert path but with a vocal that screams expression and with piano providing a relentless rhythm in the background. ”

‘Just Let Me’ reverts to the more personal and intimate with a well-judged raising of the temperature in the choruses. It’s one of my many favourites on a record that’s never short of door-opening melodies. At this point I have to acknowledge the marvellous job done by Chris Walla in conveying the mood swings and delicacy here. ‘Upheaval II’ offers up further sonic diversity in a mid-paced rocker with percussion providing a solid foundation. ‘Fear Of Men’ changes yet again with darting electronics offering a distinctive and effective backdrop to another fragile Standell-Preston vocal that occasionally ignites with great emotion.

The fast-moving lead single ‘Snow Angel’ is next and underlines the partial topical and polemic nature of the album:

“Focusing on a flower/The clouds overhead/The lips of my lover/Mother Nature and her offerings/A reminder that life is beautiful still/Amongst all the madness, the chaos/The need to march in the streets/Fake news, and indoctrination/Closed borders, and deportation/I’ve been deeply sad/A sadness deeper than after reduction/Am I only just realizing the injustice that exists?/Cloaked in white privilege since the day I was born/Blinders on, blinders on/It’s a feeling where I wonder if everything is gonna be okay/And when I say everything, I’m not talking about my little everything, my little life/I mean the planet, I mean the oceans, people fighting for the right to a safe life/ The polars bears floating away on a brink of ice/What have we done to them?/The only way I can ease the all consuming, rising feeling, as we reach no return is to grab that pillow and give a good, long scream/Sit with the release/Maybe go for a run/Come home, turn on the TV, go numb for a bit/Look at the suffering that I cause, that I cause, that I, I, I, I, I/I recycle, I compost, I buy second-hand/God, I’m disgusting/Like that’s enough of a plan/Staring at my iPhone Green smoothie recipe/How to start your day right/Slipped right through my hand/Clean up the glass on the ground…”

Much of this verse is talked which adds to the drama and intensity of the song. It’s an adventurous and original masterpiece. ‘Ocean’ is a song that wanders along like a gently burbling mountain stream. ‘Note To Self’ with its brushed snare drums, subtle piano notes and contemplative vocal ends this brilliant and beautiful album on a high note. Put simply if you buy one album in 2020, make it this one. ESSENTIAL.

5/5

https://en.wikipedia.org/wiki/Braids_(band
http://braidsmusic.com/

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