Forest Live 2025

  The Commoners Live

  Montreux British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Album Of The Year?

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Father John Misty PURE COMEDY. Bella Union

Joshua Michael Tillman, also known as J. Tillman or Father John Misty, is an American singer, songwriter, guitarist and drummer. Maintaining a steady output of solo recordings since 2004, Tillman was a former member or toured with many acts including Demon Hunter, Saxon Shore, Fleet Foxes, Jeffertitti’s Nile, Bill Patton, and Pearly Gate Music.  He has toured extensively with Pacific Northwest artists Damien Jurado, Jesse Sykes, and David Bazan. He has also made contributions to albums by popular artists, including Beyoncé, Lady Gaga, and Kid Cudi, and has produced one album for Matthew Daniel Siskin, known as Gambles.

After releasing two albums including the highly acclaimed 2015 I LOVE YOU, HONEYBEAR, as Father John Misty it became apparent that Tillman had also begun working on further material after he uploaded a new song to SoundCloud titled “Real Love Baby” early in 2016. Tillman made headlines that summer when he cut his performance short at the XPoneNtial Festival in New Jersey after replacing his planned set list with a tirade about the empty values of entertainment and the rise of stupidity in popular culture and its effect on society. He then performed a cover of Leonard Cohen’s “Bird on the Wire” before abruptly leaving the stage. Later that year, he uploaded another new song onto SoundCloud, “Holy Hell,” and in late January 2017, Father John Misty announced his third album, PURE COMEDY. The record lyrically touched on themes such as politics, social media, the environment, technology, and celebrity culture. PURE COMEDY was released in early April 2017.

misty-3

PURE COMEDY is an ironic title for an album  which attempts (successfully) to cover all manner of modern ills including pop and celebrity culture, religion, capitalism, politics and IT.

The comedy of man starts like this
Our brains are way too big for our mothers’ hips
And so Nature, she divines this alternative
We emerged half-formed and hope that whoever greets us on the other end
Is kind enough to fill us in
And, babies, that’s pretty much how it’s been ever since

Great music requires performing skill (live and in the studio) and the finest songs. In the case of the latter, for me, melody is a key ingredient but without meaningful and sincere words songs are empty, cold and soulless. The best singer/songwriters are usually the best songwriters and Father John Misty has once again proved to be in the top global echelon. The above lyrics are taken from the opening title track of the new album and at this early juncture my interest is seriously aroused by their accessibility and meaning. Recently I witnessed a wonderful live performance by another great singer/songwriter in Tori Amos but I have to confess I often find her lyrics difficult to comprehend. Not so with FJM. Add to these superb lyrics a simple but highly effective instrumental backdrop including telling solo piano notes. The artist’s voice is fluid and compelling, the song’s melody captivating.  Piano notes eventually give way to an epic collection of brass and strings for one of the best song exits heard in 2017. Judicial production seals the perfect song package.

Bedding Taylor Swift
Every night inside the Oculus Rift
After mister and the missus finish dinner and the dishes
And now the future’s definition is so much higher than it was last year
It’s like the images have all become real
And someone’s living my life for me out in the mirror

Then arrives the second offering in ‘Total Entertainment Forever’ from which the above opening lyrics are taken. It’s a prime example of FJM’s take on celebrity and life as we currently know it. The song is more upbeat with the piano this time offering notes that are hammered hard. It’s a short but epic track that leaves its mark. The pace slows with ‘Things It Would Be Helpful To Know Before The Revolution’ with FJM showcasing his vocal range with some very high notes. The song is epic in scale with its foundation of powerful melody, great instrumental arrangement, diverse pace, environmental/social subject matter, and the vocal performance of the album. Check out these lyrics:

Industry and commerce toppled to their knees
The gears of progress halted
The underclass set free
The super-ego shatters with our ideologies
The obscene injunction to enjoy life
Disappears as in a dream
And as we return to our native state
To our primal scene
The temperature, it started dropping
The ice floes began to freeze

This has to be one of the best tracks released by anyone in 2017. The stripped-down, lengthy  ’Leaving LA’  is the most moving and beautiful song here with its excellent and meaningful lyrics, wonderful melody, fantastic instrumental arrangement with superb string passages and a deeply emotional vocal performance. There are thirteen brilliant songs here performed with skill, passion and authenticity. There’s also a welcome diversity of sound, mood and pace. The quality of recording is stunning with every lyric and instrumental note heard with total clarity. This could well be my album of the year and the more I listen to it, the more I love it. Essential.

5/5

misty-5

https://www.fatherjohnmisty.com/


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