Forest Live 2025

  The Commoners Live

  Montreux British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Best New Album Reviews

egg-1

The Lovely Eggs THIS IS EGGLAND. Egg

The album was self-recorded at Lancasters Musician’s Co-op (a non-profit making recording studio and rehearsal rooms, where Holly Ross and David Blackwell - The Lovely Eggs - met and where David works.
It was also recorded at the Eggs’ own house, while their three-year-old son was in bed. Recordings were sent back and forth to producer Dave Fridmann (Mercury Rev, Flaming Lips) in the States.

It’s pretty relentless. It kind of sounds like a chip shop on fire. We still write about everyday life and the stuff that goes on in ouir world, it’s just the new album is more fierce and really tells it like it is.” - Holly Ross

‘Hello I Am Your Sun’ explodes pout of the speakers and immediately one can sense the spic Fridmann production magic at play. It’s a wild track featuring frantic drumming which provides the relentless rhythmic base, and multi-layered vocals that shout repeating a single line of lyric (the song title). ‘Wiggy Giggy’ featured the same thumping bass line but with greater emphasis on the detached Ross vocal. There’s distinctive punk rock vibe with a tangible melody that renders the song radio-friendly (well sort of…). ‘Dickhead’ boasts a darker, slower vibe  before transforming into a pure punk rock song that takes no prisoners. It fairly rushes along at breakneck speed for a couple of minutes before introducing ‘I Shouldn’t Have Said That’ with another fractious vocal display from Ross. At this point I’m convinced that you’re going to love or hate this album. I find it refreshingly adventurous and actually rather clever.

‘Return Of Witchcraft’ is pure, epic and exciting rock with drums and guitar providing a seductive and frenetic intro before calming down marginally to allow Ross’s vocal some breathing space - but not much! The pace changes a couple of times and at one point Ross takes on a soft, calm persona as she sings “Witchcraft, witchcraft” befoe the song returns to its explosive path. The song is both inventive and compelling. ‘I’m With You’ is another hard rocker wih a stronger melody and lyrics that a simple and direct. ‘Repeat It’ is again dominated by rock instrumentals and the continuing refrain of “Repeat it” which could be sop boring to listen to but not by this pair of musicians. ‘Big Sea’ calms proceedings dramatically and takes a more conventional pop path. ‘Let Me Observe It’ goes electronica while closer ‘Would You Fuck’ returns to this band’s punk rock roots with a song that should have the mosh pit steaming and joining in the angry and rude chorus.

This album is a riot and I feel a little guilty in decalring my affection for it. Fans will adore it and I feel it’s good enough to tempt new admirers who are tired of the same old, same old that’s peddled on UK radio. Hope to see them peform in Manchester…

4/5

2018 Tour

February

Thu 8 The Yorkshire House, Lancaster
Fri 9 The Brudenell Social Club, Leeds
Sat 10 The Cluny, Newcastle
Sun 11 The Mash House, Edinburgh
Mon 12 Stereo, Glasgow
Tue 13 The Adelphi, Hull
Wed 14 Clwb Ifor Bach, Cardiff
Thu 15 The Cellar, Oxford
Fri 16 The 100 Club, London
Sat 17 Band On The Wall, Manchester

http://www.thelovelyeggs.co.uk/

tkk-1

To Kill A King THE SPIRITUAL DARK AGE. These Are My Bones

The Band

Ralph Pelleymounter - guitar, lead vocals
Ben Jackson - keys, vocals
Grant McNeill - guitar, vocals
Josh Taffel - drums, vocals
James Ball - bass, vocals

THE SPIRITUAL DARK AGE is the last three years of my life painstakingly distilled into 40 minutes of music.It has ballads for my single friends watching everyone else gradually pair off, and deities and fables getting drunk in bars. It has moments of anger and disgust at characters like Peter Popoff and their parasitic feeding of the most vulnerable people, and it has folk songs about two gods who’d rather burn down the world than admit they still love each other. But hopefully, in amongst the chaos and darker tales, it has an underlying message that compassion being such a beautiful and complex thing may just save the day.” - Ralph Pelleymounter (frontman)

The album opens with the album’s title track and in a style that bodes well for the rest of the album. It’s bright, breezy, highly rhythmic and as melodic as hell. It’s also a hugely radio-friendly mix of pop and rock (and probably a riot live). ‘The Inspeakable Crimes Of Peter Popoff’ is next and adds a strong hint of adventure and innovation. The spoken opening is followed by a rap-style rock that’s jagged and very likeable.
‘Compassion is A German Word’ takes a more conventional pop/rock route which highlights Pelleymounter’s excellent vocal quality and range. ‘Cherry Blossom Falls’ slows the pace and darkens the vibe with a song that gathers pace as it progresses adding a rather novel instrumental flavour as it travels along. ‘Oh Joy’is the first stripped down and most emotional song here. The vocal is expressive and believeable. The simple instrumental back drop allows the voal to dominate underpinned by a solid melody.

‘The Good Old Days’ opens with swooning background vocals in a song that is both emotive and contemplative with choruses that should be dominating the airwaves. Listen to ‘The One With Jackals’ and hear moments of Jeff Buckley at his most passionate and emotive. Wherever you look here the album offers a diverse range of pace, mood and sounds underpinned always with strong melodies. Highly recomended.

4/5

http://www.tokillaking.co.uk/

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