Camden Rocks Festival 2019

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  David Gray Live in Liverpool

  The Slow Readers Club Live

  Gigantic All-Dayer Manchester

  Isreal Nash & Joana Serrat Live

  Glen Hansard Album & Tour 2019

  New For 2019

  Last Live in 2018

  My Best Albums 2018

  Brexit - Now We Know

  Download 2019 First Bands

  50th Anniversary White Album

  Christine and The Queens Tour

  Karine Polwart Trio Live

  Spear Of Destiny Live

  Benjamin Folke Thomas Live

  Chilly Gonzales Live

  Let The People Decide

  The Secrets of Piano Solo-III

  Gomez Live in Manchester

  John Lennon Interview

  Anna Burch Live

  My 100 Greatest Albums

  Road To Nowhere - Brexit

  Ray LaMontagne Live

  Satriani’s G3 Live

  Josh Rouse New LP & UK Tour

  Stick In The Wheel Live

  Halo Maud, Baxter Dury Live

  Matthew Logan Vasquez Live

  The Barr Brothers Live

  Emily Barker Live in Manchester

  Katey Brooks New Single/Album

  Jim White Live in Manchester

  Tori Amos Live

  Bush & RavenEye Live

  Grandaddy Live

  Laura Marling Live

  Frank Carter & the Rattlesnakes

  Martha Wainwright Live

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  Jimmy Eat World Live

  Swans Live in Manchester

  Ben Folds & yMusic Live

  Dan Patlansky Live Blues

  Beverley Knight Live

  Wolfmother Live

  Ludovico Einaudi Live

  Barry Adamson Live Manchester

  Jess Glynne Live

  The Temperance Movement Live

  Courtney Barnett Live

  Mercury Rev Live


Tori Amos Live

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Tori Amos

I’m encouraged by the excellent sound quality and lighting of the venue so far, at a time when the standards at so many other venues has declined (even in some of the country’s best venues).  With the auditorium now at full capacity, the lights dim and Amos appears from stage-right to position herself under a strong beam of light at the front-centre of stage. She looks great in her peacock-printed kaftan and shiny gold stilettos - a distinctly Asian look tonight. The audience erupts and Amos stands there soaking up the acclaim and atmosphere before moving to sit in between her favoured Nord electronic keyboards and shining gloss black Bösendorfer grand piano located to stage-left.

Opening on the electronic keyboards with ‘iieee’ from her 1998 album FROM THE CHOIRGIRL HOTEL, it’s a moody, dark and rhythmic opening. ‘Space Dog’ (from 1994’s UNDER THE PINK) signals Amos using both instruments with a song that offers substantially more melody and a little more light. It’s starting to look like the show is going to feature a best-of setlist which the audience is already responding to big-time. Amos has one of the industry’s most distinctive voices but it’s also one of the most expressive, similar to a violin which played at its best reflects every dramatic and emotive moment.

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Her first dip into brand new waters comes at about a third of the way through the show with ‘Climb’ from the album NATIVE INVADER. Now I’ve yet to hear this album but on the strength of this song it seems that powerful melodies and simpler vibe are back on the menu. Another new track reveals itself a little further down the line (’Reindeer King’) and together with encore ‘Cloud Riders’ seals the deal for me to acquire the new record.

Mid-set in a segment entitled FAKE MUSE NETWORK Amos adds some worthy cover interpretations (including a lovely ‘Boys In The Trees’ by Carly Simon) from a diverse range of artists before reverting to her back-catalogue but not before honouring Manchester by slotting in some Oasis ‘Don’t Look Back In Anger’ into proceedings. LITTLE EARTHQUAKES is my favourite Amos album and ‘Mother’ one of my favourite tracks from it, so I was delighted when this appeared together with encore ‘Tear In Your Hand’.

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A standing ovation was inevitable at the end of one of the great live performances of 2017 and the final encore song ‘Cornflake Girl’ provided not only one of my highlights of the evening but something to recite endlessly on my way home. This was a masterclass in every way; great setlist, great staging, and great performances by a unique and enduring singer/songwriter.

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SETLIST

iieee
Space Dog
Suede
Jamaica Inn
Sister Janet
Climb*
Toast
FAKE MUSE NETWORK (covers)
Boys In The Trees (Carly Simon)
Upside Down 2 (with elements of Oasis ‘Don’t Look Back In Anger)
Reindeer King*
Mother
Flavor
Martha’s Foolish Ginger
Almost Rosey

Tear In Your Hand
Cloud Riders*
Cornflake Girl

* INTERNAL INVADER album

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http://toriamos.com/

http://bellx1.com/

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