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  Martha Wainwright’s LP Review

  Making the Image: Miles Davis

  Foo Fighters 2022 Live

  Basia Bulat 2022 Tour Dates

  Beth Hart Adds Live UK Dates

  Nina Simone, Etta James, Live

  G Harrison All Things Must Pass

  The Beatles & India Documentary

  Joana Serrat’s New Record

  Imelda May’s Best Yet

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  Moby The Very Best Of Interview

  Lucy Kruger TRANSIT TAPES

  Newton Faulkner Returns

  Edge Of Paradise New LP

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  SHIT FLOATS

  AMY WINEHOUSE AT THE BBC

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Amy Macdonald Rescheduled Gig

  Discover Miriam Stockley

  Ariel Posen New LP

  Music & Brexit

  Ani DiFranco New LP +

  Discover David Ford

  Happy New Year?

  Joe Bonamassa Guitar Man

  On Barbra Streisand

  Metallica’s S&M2 Review

  The State We’re In…

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  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

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  Ana Popovic, Lynne Jackaman Live

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  The Slow Readers Club Live

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  Gomez Live in Manchester

  John Lennon Interview

  My 100 Favourite Albums

  Ray LaMontagne Live

  Satriani’s G3 Live

  Jim White Live in Manchester

  Tori Amos Live

  Bush & RavenEye Live

  Laura Marling Live

  Jimmy Eat World Live

  Roger Waters on Amused To Death


Tori Amos Live

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Tori Amos

I’m encouraged by the excellent sound quality and lighting of the venue so far, at a time when the standards at so many other venues has declined (even in some of the country’s best venues).  With the auditorium now at full capacity, the lights dim and Amos appears from stage-right to position herself under a strong beam of light at the front-centre of stage. She looks great in her peacock-printed kaftan and shiny gold stilettos - a distinctly Asian look tonight. The audience erupts and Amos stands there soaking up the acclaim and atmosphere before moving to sit in between her favoured Nord electronic keyboards and shining gloss black Bösendorfer grand piano located to stage-left.

Opening on the electronic keyboards with ‘iieee’ from her 1998 album FROM THE CHOIRGIRL HOTEL, it’s a moody, dark and rhythmic opening. ‘Space Dog’ (from 1994’s UNDER THE PINK) signals Amos using both instruments with a song that offers substantially more melody and a little more light. It’s starting to look like the show is going to feature a best-of setlist which the audience is already responding to big-time. Amos has one of the industry’s most distinctive voices but it’s also one of the most expressive, similar to a violin which played at its best reflects every dramatic and emotive moment.

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Her first dip into brand new waters comes at about a third of the way through the show with ‘Climb’ from the album NATIVE INVADER. Now I’ve yet to hear this album but on the strength of this song it seems that powerful melodies and simpler vibe are back on the menu. Another new track reveals itself a little further down the line (’Reindeer King’) and together with encore ‘Cloud Riders’ seals the deal for me to acquire the new record.

Mid-set in a segment entitled FAKE MUSE NETWORK Amos adds some worthy cover interpretations (including a lovely ‘Boys In The Trees’ by Carly Simon) from a diverse range of artists before reverting to her back-catalogue but not before honouring Manchester by slotting in some Oasis ‘Don’t Look Back In Anger’ into proceedings. LITTLE EARTHQUAKES is my favourite Amos album and ‘Mother’ one of my favourite tracks from it, so I was delighted when this appeared together with encore ‘Tear In Your Hand’.

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A standing ovation was inevitable at the end of one of the great live performances of 2017 and the final encore song ‘Cornflake Girl’ provided not only one of my highlights of the evening but something to recite endlessly on my way home. This was a masterclass in every way; great setlist, great staging, and great performances by a unique and enduring singer/songwriter.

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SETLIST

iieee
Space Dog
Suede
Jamaica Inn
Sister Janet
Climb*
Toast
FAKE MUSE NETWORK (covers)
Boys In The Trees (Carly Simon)
Upside Down 2 (with elements of Oasis ‘Don’t Look Back In Anger)
Reindeer King*
Mother
Flavor
Martha’s Foolish Ginger
Almost Rosey

Tear In Your Hand
Cloud Riders*
Cornflake Girl

* INTERNAL INVADER album

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http://toriamos.com/

http://bellx1.com/

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