Gray is a Leed-based singer/songwriter formerly with popular local folk-rock band The Smokestacks. Gray has got back onto his horse with this mini-album of 8 songs, but at a time when singer/songwriters (signed and unsigned, good and mediocre) proliferate - it’s one helluva competitive market out there…

It’s therefore more important than ever before, if one is to succeed, to offer a voice and songs that are distinctive; that distinguish themselves in a crowded marketplace. Sounds a bit commercial doesn’t it… but to continue to record and develop requires money, and money comes from adequate sized live audiences, CD sales and/or a recording contract (if it’s a favourable one!). And I’m not talking megabucks here buy a modest level sufficient to continue to exist, write and perform.

So, does this mini-album display something interesting and positive? I think it does. ‘Stop The Rot’ opens the song collection and I’m struck by its sensible lyrics, tangible melody, pleasant guitar work, and a voice that is capable, easy, expressive and distinctive. ‘Freaky Dreams’ ups the stakes with a song that that is highly original in its instrumental arrangement, and a vocal that reminds of the late, great Elliott Smith. ‘Clutter’ sounds as if someone has turned up the recording volume and as a result piano notes and vocals are as clear as a bell. So far Gray has offered musical diversity which I always welcome, and that diversity continues with the next modern folk track, ‘Music To Her Ears.’  In the background the guitar provides a solid rhythm while Gray matches his voice well to the song’s vibe and meaning. Subtle backing vocals complete a charming package.

‘Easy Avenue’ is pleasant enough but not standout in this company, however, back Gray comes with the faster and more aggressive ‘Like Orange Juice On A Newly Pierced Tongue.’ The instrumental arrangement is out of the top drawer with acoustic guitar dominating the rhythm section, and Gray just managing to be heard above it. ‘Gambling Man’ is a simple, reflective and moving bitter-sweet love song with excellent lyrics (”I took some chances with romances that’s true… I always knock but that door’s always locked, can’t get in…”).  It’s my favourite track on the album. ‘Lull-A-Bye’ closes on a high point and in stripped-down style with just a banjo supporting a rather forelorn vocal.

Gray has been clever here in that he has written (short) songs that can be performed well within the production/recording constraints he probably has. There’s sonic diversity, strong melodies, intelligent lyrics and performances that showcase Gray’s smooth vocal quality and range. In short, I’m hearing potential to go much further, and so, as they say, ‘job done.’

3.5/5

www.myspace.com/giantgraystacks

www.myspace.com/giantgraystacks