The Commoners Live

  Montreux Fest British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

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  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Ryan Adams LOVE IS HELL. Lost Highway

Artistic integrity is everything. So when Adams was outvoted by his record company on which collection of songs to include on his last generally available album (ROCK N ROLL), Adams convinced the powers-that-be to release two other albums (LOVE IS HELL PART 1 & 2) to ultimate critical acclaim. As a result, this new album, described on the cover as ‘the complete album as originally intended’ has been released, and it’s wonderwall!

ROCK N ROLL was a radio friendly, melodic, pleasant enough album, but this blows it away. And I can understand why Adams badly wanted it released. Opening with Political Scientist, you can hear an almost live performance ambience through the unadorned style of production. The instrumental sounds are vivid, the vocals crystal clear and expressive, while the song’s dark tone and glacial pace completes a superb package. In fact, it’s a song I can imagine Jeff Buckley writing and performing if he had lived. The next track, Afraid Not Scared, hastens the pace, pushed along by a relentless guitar rhythm. Adams’ vocal is strongly emotional as it communicates the song’s doom-laden message.

To describe this album as heartfelt is an understatement. This House Is Not For Sale is a supreme example of the album’s tantalizing and haunting nature. Lyrically, Adams has never been stronger, “Tell them that the house is not for sale, we’re still living here, how come nobody can tell? They’re taking all the furniture, moving our things, come on little honey, tell them that the house is not for sale.” So strong is the album that to pick out a highlight is virtually impossible, although his bluesy, down-paced version of Wonderwall comes pretty close. But it’s The Shadowland with its solitary piano backdrop and intensely emotional vibe that ultimately takes my vote. The middle-eight signals mournful strings and country style guitar chords to take over from Adams’ pain-racked voice, to conclude a song that will break your heart. Reflecting on his relationship with one English singer/songrwiter on English Girls Approximately, he observes, “Said you didn’t love me, you didn’t want a thing, English girls can be so mean.” In providing the song with a soft country vibe, he effectively sings it as though it’s not as personal as it really is… quite clever really.

Along with HEARTBREAKER, this is without doubt Adams’ finest and most instrospective album. It shows increased maturity while marking him out as a very special singer/songwriter, and this album as one that is essential to own.

4.5/5


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