The Commoners Live

  Montreux Fest British Dedication

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Richard Ashcroft KEYS TO THE WORLD. Parlophone

When Chris Martin declared Ashcroft, ‘the best singer in the world’ on the stage of last year’s Live 8 gig, I cringed, and then wondered why. Well, for starters I know that the easily led UK music media seems to hang on Martin’s every word, and it would be a declaration oft repeated on TV and elsewhere. Then, of course, both acts are label mates and it’s likely that their appearance together on stage was close to a ‘promo’ event, designed to help Ashcroft’s new album sales following previous solo releases that scanned below expectations. I also recently noticed that Ashcroft is supporting Coldplay on the band’s forthcoming UK tour. My conclusion is that the music business is becoming even more incestuous, and increasingly we have to trust the judgement of our own ears. On the evidence of KEYS TO THE WORLD there is nothing that Coldplay can teach veteran Ashcroft. Of course he doesn’t have the best voice in the world, but it is a strong voice, an expressive voice, and a distinctive one.



In songwriting terms, KEYS TO THE WORLD represents the best from Ashcroft since the demise of the Verve back in 1999. The opener, Why Not Nothing, is a storming, rocky combination of Dylan and the Stones. It crashes through the sound barrier, with a strong melody, and a vocal that seems to have broken away from invisible shackles. It’s powerhouse stuff and a great start to the album. Music Is Power is a pop, gospel-tinged, ballad with a more disciplined soundscape that includes a solid combination of instruments. Perhaps not a great song but it’s no filler either. Next up is the excellent single Break The Night With Colour. A beautiful melody underpins a loping song with strong lyrics, and a passionate Ashcroft vocal. It’s a cracker that performed live sounds as good as it does on record.

The pace and mood of the album are nicely diverse; there’s the glacial introspection of Words Get In The Way, and the beautiful, stripped-down, sincere folk vibe of Sweet Brother Malcolm - an album highlight. Then there’s the bouncing, piano-backed ambience of another distinctive highlight, Simple Song. Medium-paced, optimistic rock tune World Keeps Turning, concludes an album that Ashcroft, and his fans, can be happy with. Recommended.

3.5/5


Back


Manchester 2010 - Gallery: Maccabees
Maccabees
LATEST GALLERY IMAGES

Gaza 2025 - Gallery: Palestine's Holocaust
Palestine's Holocaust Gaza, Iran & Ukraine - Gallery: Trump's Inaction
Trump's Inaction
Shakenstir - Homepage Links Reviews Live Interviews Features News Contact Gallery Shakenstir - Homepage