Canada never fails to produce distinctive and globe-dominating musical talent, and this band is no exception. FANTASIES is Metric’s fourth studio album which follows on from their 2005 success story, LIVE IT OUT, and is released on the 27th April 2009. Along with the new, self-financed album the band has taken the adventurous step of creating its own record label and global distribution network rather than relying on an outside record label. “It’s pretty insane”, guitarist and co-founder Jimmy Shaw remarks, “but it’s really exciting. We might go down in flames, or it might be the best move ever. Either way, it will have been on our terms and for us that is success.”

Starting from the March 2009 fans will be able to pre-order the record directly from the official website in one of several ‘bundles’ including limited edition vinyl, deluxe hard cover CD, or digital download, complete with exclusive bonus material. In addition, those who pre-order in any of the three formats will immediately receive a free MP3 of the first single ‘Help I’m Alive.’ Fans can download an acoustic version of the song for free right now from the band’s website - well worth it as it sounds very different from the rocky album track.

And so to the album and the the opening above-mentioned track. And what an introduction! It’s a rollercoaster ride; highly original and melodic with vocalist Emily Hanes in top form and sounding so right; and if this single secures airplay it will fly. In the last twelve months I have yet to hear a song that so successfuly, astutely combines rock and pop. Second track ‘Sick Muse’ repeats the dose and I strongly suspect will be single number two, and could be even more successful. Imagine a lighter, simpler interpretation of Arcade Fire’s sound with more emphasis on beats/rhythm and a few more guitar riffs combined with a youthful female voice…

‘Satellite Mind’ is less complex, rockier, pacier with powerful choruses, rampant drumming and another powerhouse melody. ‘Twilight Galaxy’ changes direction and trundles down a softer more contemplative route with Hammond taking a more dominating instrumental role, with multi-layered vocals finally sealing a delightful package. A striking guitar riff and rapid-fire drum rhythm opens ‘Gold Guns And Girls.’ It’s rockier, racier and actually sounds like a 100 metre dash to the line - terrific. ‘Gimme Sympathy’ reigns back pace to medium-rare with Hanes arguably providing her best vocal performance on the record, and a song that takes a more conventional musical route. The final meandering Hammond notes make a tantalising finale. Of the remaining tracks the harder rock ‘Front Row’ and quite beautiful, moving ‘Blindness’ are standouts.

Put simply, both the band and listeners have struck rock-pop gold with this album. It avoids the mainstream while being eminently accessible but distinctive. And it’s another strong contender for our ’best of year’ list.

4/5