Forest Live 2025

  The Commoners Live

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Catherine MacLellan 2-4-1

maclellan1

STOP PRESS …

CATHERINE MACLELLAN WINS SOLO ARTIST OF THE YEAR AT THE CANADIAN FOLK MUSIC AWARDS

NEW ALBUM ‘WATER IN THE GROUND’ WITH BONUS ALBUM ‘DARK DREAM MIDNIGHT’

A young Catherine MacLellan did not have to look far for inspiration and insight into the creative process. She’s the daughter of Canadian music legend, singer/songwriter Gene MacLellan, the writer of such huge international 70s hit songs as “Snowbird” (the Anne Murray classic) and “Put Your Hand In The Hand” (Ocean). He died when Catherine had just entered her teens, but his influence was profound. “I grew up watching him write songs in the living room with pen and paper or with a guitar on his lap. That was what I thought you were supposed to do, and eventually I started doing it. Before I could even play guitar, I wrote these awful songs about stupid things and I’d sing melodies.”

Gene helped wean his daughter away from an early infatuation with bad 80s pop. “He’d buy me tapes of the Beatles, Eric Clapton, and The Band, going ‘you have to listen to this.’ I’m glad he did. I am really proud to be his daughter and to be able to follow a little in his footsteps. He was a fantastic songwriter and that’s really cool.” Catherine closes Church Bell Blues with a loving and deeply moving tribute to her father, “Long Time,” a song of which Gene would be mighty proud. After high school and a year in Australia, Catherine moved to Toronto, and began following her muse, playing open mic nights in folk clubs. On relocating back to Prince Edward Island, the passion gradually became a vocation. “That was facilitated by a folk club that had started up at the same time. There was a whole crew of people my age or a little bit older, and we all wanted to share what we’d written. That’s where I met James and other people I’ve played with, so I just started doing it, working part time jobs and playing gigs.” Through The New Drifts and then old-time country group Saddle River (also with Phillips), Catherine honed her skills as a performer. With the release of Dark Dream Midnight, she ventured into the Quebec and Ontario markets, to a very positive response.

For me, great female singer/songwriters are like goldust as they are able to capture the most intimate emotions and observations in music, beautifully and movingly. Canada’s Catherine MacLellan is yet another such artist from that geographic hotbed of singer/songwriters, and certainly one of the most interesting I’ve heard in the last couple of years. This is her latest record, however, contained within this package is her first record DARK DREAM MIDNIGHT (only previously available via direct mail order) which is a stunningly moving collection of songs. In fact it’s better than her latest release by a fair margin, and is one of the finest contemporary folk records I have ever heard. ‘Dark Dream Midnight’ opens the record with a dark guitar strum that sets the scene for this edgy song. Along with its powerful melody, MacLellan’s voice (think Joni Mitchell…) treads a fine line
between detachment and expressiveness, and gets it so right. Gorgeous. ‘Don’t Need No One’ is a deeply reflective song about relationships and in its stripped-down guise hits the mark like few other songs I’ve ever heard. ‘Journeys With You’ could be about the relationship with her father and I can promise you it will move you to tears. The melody is such that it hasn’t left my head since I first heard the song; the vocal performance is moving, sincere, heartbreaking. ‘House Of Love’ introduces multi-layered vocals, an upbeat and lighter vibe with another strong melody. Standout tracks pepper this collection including the upbeat country vibe of ‘Until One Of Us goes’ with its wonderful instrumental arrangement, ‘The Line Between Us’ with its wandering vocal, the ghostly ambience of ‘February Song’and the wistful, and very beautiful closing song ‘Packed My Bags.’

This is a stunning gem of record recorded early in MacLelland’s career. It could also be her best…

4.5/5

WATER IN THE GROUND is an altogther different record with its more mainstream, light country sound. First track ‘Take A Break’ is a prime example with its upbeat, lighter vibe. ‘Water In The Ground’ is one of this album’s standouts with its rolling style and very strong melody. It’s a charming love song that is both distinctive and beautifully performed. ‘Hotel Stairs’ has a magnetic, nostalgic feel while ‘Isabell’s Song’ rolls along gently
and ‘Something Gold’ snares you with its sweetness and light. An element of darkness and regret descend with the superb ‘All These Years’ that reminds me of a couple of songs from the previous album. The vocal rises and falls with emotion but is never over-indulgent. It’s another one of those songs that swills around in the head, and just won’t let go. ‘Sorrows Drown’ is another reflective, standout song with its gentle country vibe and excellent lyrics. ‘Not Much To Do (Not Much To Say)’ is more firmly down a country road with typical guitar
passages, and a vibe that is bouncy and mocking.’Everything’ll Be Alright’ is an optimistic tune that meanders along with an understated vocal that is perfectly judged, with just a touch of doubt just below the surface. The darker and moving vibe of ‘Flowers On The Grave’ includes a piano that deepens the drama and the sense of loss in the song’s dominant message.

3.9/5

There is no doubt that MacLellan is a new star on the contemporary folk horizon. However, my vote is powerfully behind DARK DREAM MIDNIGHT as the undisputed star of this wonderful package. And for me it remains the key reason to buy WATER IN THE GROUND.

www.catherinemaclellan.com

www.myspace.com/catherinemaclellan


Back


Llandudno 2010 - Gallery: Beth Nielsen Chapman
Beth Nielsen Chapman
LATEST GALLERY IMAGES

Gaza & West Bank 2025 - Gallery: Where Israel Goes, Misery Follows
Where Israel Goes, Misery Follows Lives in Music - Gallery: The Kanneh-Masons
The Kanneh-Masons
Shakenstir - Homepage Links Reviews Live Interviews Features News Contact Gallery Shakenstir - Homepage