Forest Live 2025

  The Commoners Live

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

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  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

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  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

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  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

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  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

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  Snow Patrol Live in Manchester

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  David Gray Live in Liverpool

  John Lennon Interview


Black Gold RUSH (Red Bull Records)

black-gold-cover

This album has been out for a little while now but has somehow found its way to the top of the pile here at Shakenstir, demanding a good listening to, which proved rather enlightening. Black Gold are Brooklyn based duo Eric Ronick (vocals and keyboards) and Than Luu (guitar and drums) who’ve been working together for over three years and this is their debut album.

First impressions for me were fond memories of The Boo Radleys, with a set of fine tunes delivered with a certain amount of easy grace. But there’s more of a soulfulness here, and possible hints of Scissor Sisters on the more up-tempo numbers, as the band drift towards synth pop. There’s a strange feeling of familiarity with a lot of the songs too and, whilst there is a high degree of commerciality throughout, there is evident ability to write good songs. Like on ‘Breakdown’, where Ronick’s vocals swoon above a prominent drum beat and ‘Shine’, another finely crafted and executed number. It’s easy to pinpoint similarities with other artists as the album flows through; Lightning Seeds on ‘Idols’ and even Scritti Politti
(remember them?) on ‘The Comedown’, but whilst there is a shortage of originality, there is an abundance of flair in the execution.

The more eloquent moments though are where the music is stripped back, like on the excellent acoustic ‘Silver’ and then the closing two tracks, ‘Canyon’ and ‘ After The Flood’, where the vocals take on a greater sense of emotion, delivered with heartfelt commitment, illustrating a deeper side the band. All up then, a highly enjoyable set of great tunes, with a
level of diversity to keep the listener interested throughout. I can’t see a huge amount of global interest though, but a worthy addition to the year nonetheless.

3.5/5

www.myspace.com/blackgold

TC


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