Mike Peters Remembered

  Elliot Minor Live Manchester

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Imogen Heap Live

 

heap6
Imogen Heap is a one-off musician, and I suspect a perfectionist. Now this was not patently obvious as she wandered around her many electronic gizmos, rather like a confused housewife gathering the ingredients for a challenging meal, muttering as she went, and regularly pausing to look at the recipe. One of the vital ingredients for her first song was the backing vocal which she recorded then and there. Then the song finally emerged and one I mesmerised by the voice and accuracy of the various electronic sounds. I began to worry that I couldn’t note the order of songs played and then realised that it really didn’t matter; what really mattered was the show in its entirety; its utterly compelling nature.

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At one point she tried to move one of the tables so that the audience had a better view. In the process a keyboard fell off and she immediately called for help from the techies who rushed on sporting wide grins – it almost seemed rehearsed. Before too long the guitarist from Nemo joined her and a little later the whole band appeared to accompany her on the intensely rocky Daylight Robbery, Clear The Area, The Walk, I Am In Love With You and Loose Ends. The band showed a far more interesting side to their nature no doubt inspired by the lady and her music – it was perfection. Then there was Heap hitting impossibly high notes that I originally thought were, ‘in your dreams.’

heap8
The show started at 9.15pm and at 10.45pm it finished although comically Heap signalled punctuation marks in the air as she left. The calls for an encore resounded through this acoustically perfect setting and Heap bounced back to open with the distorted tones of my favourite album track Hide And Seek. Then she sealed a very special, memorable show with the gorgeous, haunting The Moment I Said It. It had been a mesmerising show that had included all the songs from her magnificent album, plus a couple of old favourites for good measure. It is unusual for an audience to give a standing ovation to a popular musician, but that’s what happened at the Bridgewater Hall for Imogen Heap. And I could think of no better way to hail this unique UK singer/songwriter, and a show that I’ll take with me to the grave.

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