Robert Jon & The Wreck ‘24 Tour

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Beth Nielsen Chapman Live

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As soon as Beth slid onto the stage from the wings, I just knew this was going to be no ordinary performance. She’s a tall lady and looks younger than her fifty-plus years. Looking through my long lens it seemed to me she had a youthful charm, and the stage was her natural habitat - it was a though she had just wandered into her living room at home to play to her family and friends. Without introduction she was into her first song with Marcus playing guitar alongside her.

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‘More Than Love’ arrived early in up-beat, grand folk-rock style; the perfect introduction. There seemed to be problems with sound that were some distance from her sound-check settings, but presented an opportunity to immediately connect comically with her audience when she quipped, “It’s too late to claim your money back now.” If it was performance device, it was a clever and beautifully executed one, which put the audience at ease with laughter coming from both sides.

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‘Hallelujah’ arrived next, a more reflective song with formidable backing from Marcus, and a Beth vocal that soared to the heavens in the choruses. It was spine-tingling stuff, so natural, and so early in the show… Then she introduced the next song and made my night. ‘Sand And Water’ is from that first album acquisition, and is beautiful and moving beyond belief. Sung live with Marcus supplying backing vocals, it proved even more devastating. It was the first special moment in a show that was bursting with them. It was also the point in the show when I felt regret that more young people weren’t there to witness and experience musical greatness… Lyrics like, “All alone I didn’t like the feeling/All alone I sat and cried/All alone I had to find a meaning/In the center of the pain I felt inside,” come from a special place; simple, powerful, real, and intensely moving - the essence of great song writing.

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‘Happiness’ is another introspective song with hope at its core, and came with an interesting story involving writer’s block, buzzing ears, a brain tumour, surgery, and wondering what “happiness would look like if it walked through the door.” Marcus played the keyboard in harpsichord mode while Beth gave another moving, natural, and thoughtful performance. It’s on the new album and is just one of a string of great songs.

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Before she played the next song she explained what a joyful experience making the new album was, after three battles with cancer (including her husband’s). ‘How We Love’ is a slow-moving narrative tale based on her personal experiences (”From the ashes new things start…”) driven by a powerful melody and simple piano backdrop provided by her - another very special song, another very special moment. Then back upbeat with another new track reeking of optimism and joy, ‘I Can See Me Loving You.’ Marcus on banjo added bounce and excitement to a foot-stomper of a tune.

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