REVOLVER Special Edition (Super Deluxe): 63 tracks

* Digital Audio Collection (stereo & hi res 96kHz/24-bit stereo + mono + Dolby Atmos)
* 5CD (stereo & mono audio) with 100-page hardbound book in a 12.56″ x 12.36″ slipcase
* 4LP+7-inch EP (stereo & mono audio) on half-speed mastered 180-gram vinyl with 100-page hardbound book in a 12.56″ x 12.36″ slipcase

DISC 1: REVOLVER (New stereo mix): 14 tracks

DISCS 2 & 3: Sessions (stereo & mono): 31 tracks

DISC 4: REVOLVER (Original mono master): 14 tracks

DISC 5: REVOLVER EP: 4 tracks

‘Paperback Writer’ & ‘Rain’ (New stereo mixes & Original mono mixes remastered)

REVOLVER Special Edition (Deluxe): 29 tracks

* 2CD in digipak with a 40-page booklet abridged from the Super Deluxe book

DISC 1: REVOLVER (New stereo mix): 14 tracks

DISC 2: Sessions highlights + ‘Paperback Writer’ & ‘Rain’ (New stereo mixes): 15 tracks

REVOLVER Special Edition (Standard): 14 tracks

* Digital (New album mix in stereo & hi res 96kHz/24-bit stereo + new Dolby Atmos mix)

* 1CD in digipak (New stereo mix)

* 1LP (New stereo mix) on half-speed mastered 180-gram vinyl

* Limited Edition 1LP vinyl picture disc (New stereo mix) illustrated with the album cover art

Across all the configurations, REVOLVER’S Special Edition showcases the GRAMMY-winning original album artwork created by The Beatles’ longtime friend, German bassist and artist Klaus Voormann. The Super Deluxe CD and vinyl collections’ beautiful book features Paul McCartney’s foreword; an introduction by Giles Martin; a thoughtful, enlightening essay by Questlove; and insightful chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett. The book is illustrated with rare and previously unpublished photos, never before published images of handwritten lyrics, tape boxes, and recording sheets, as well as 1966 print ads and extracts from Voormann’s graphic novel, birth of an icon: REVOLVER.

Following the December 1965 release of their groundbreaking album, RUBBER SOUL, and after wrapping up that year’s tour dates, a late decision to cancel shooting plans for a third Beatles film, A Talent For Loving, would have a significant effect on the creation of Revolver. The time allocated for filming and recording songs for a soundtrack was removed from the band’s schedule, allowing the group to take a four-month break before the Revolver recording sessions began. “One thing’s for sure,” John said a few weeks before the band’s return to the studio, “the next LP is going to be very different.”