Forest Live 2025

  The Commoners Live

  Joanna Shaw Taylor UK Tour

  Within Temptation Ukraine Film

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Editor’s Blog: 2010

pink-floyd

15 March 2010

“What have you done to feel proud today?” I have to confess that the song ‘Proud’ was a bit patronising, but know what? I feel proud today. It’s the first anniversary of the Calon FM Shakenstir Sessions radio show, and I reckon last we topped a special year with the best show of all. We’ve always tended to be rule maker than follower, and last night culminated in a show that broke all the BBC rules. And I reckon it sounded great and really summed up what we are all about at Shakenstir.

group14

We played brand new albums from brand new bands and soloists (almost a couple of tracks from each act - they probably wouldn’t get one on UK mainstream radio stations). We played four songs from Beth Nielsen Chapman, including a live song recorded in St Pauls Cathedral with the London Oriana Choir which almost moved me tears (and my producer JJ); it was so beautiful. We played great jazz, pop, folk, blues, metal, indie, alternative and country. We played a major proportion of the Rounder 40th Anniversay Live Concert, without breaks. And when I was finished my playlist at midnight, JJ scored a slam dunk by playing the whole of DARK SIDE OF THE MOON to celebrate the band’s recent victory legal victory over EMI. Then in the final fourth hour JJ came back with some contemporary classics by the Beatles and others. It was four hours of the best music known to man; it was music played with passion and love; succinctly presented and produced to perfection. I’m so thankful to the musicians, record and PR companies who help us do what we do best, and today I am the proudest man on earth.

tiesto1

14 March 2010

Now life wasn’t meant to be easy for the most of us. I’m well aware of it as a music photojournalist; one learns to take the rough with the smooth to get the story or picture. But last night I was faced with a particlularly rare scenario, and a most difficult one. I was covering the Tiesto show at LIverpool’s Echo Arena and was told that Mr T would be on stage at 11pm. Fine, no problemo, I’d taken my sleeping bag and my little Fiesta was wrapped up nice and warm in an expensive car park across the road. The support act come on at 10pm and are still playing at 11pm, beat-ing me to death. Then an official guy, sporting earphones and regulation walky-talky, tells us that Mr T is on stage at midnight and we cannot enter the photo pit for 30 minutes, at which point we will be directed in… Hell! Okay, I can live with that.

tnotice

Then at 11.45 a printed notice is handed out with a small and unexpected para: Point 3) No hanging out in the pit - 3 mins max. Bloody hell! I’ve been hanging around since 9pm to enter a pit at 12.30am, and only have 3 minutes! The standard permitted stay in a photo pit is 3 songs, give or take 15 minutes. Resigned, (and comforted by the thought, ’well, there’s actually quite a lot you can do in 3 minutes…’) we wait to be ushered in by the friendly security man and sure enough, on the dot, we’re in. And precisely when the friggin’ lights dim, and Mr T goes walkabout, making it virtually impossible to take pictures. And guess what, at the 3-minute point, as we are politely ushered out, ‘let there be light.’  I was going to stay till 4am to cover the whole show, but given the calculated and unfair way we had been treated I went for a leak and home. Now I don’t know what Mr T’s problem is, perhaps he’s annoyed that few likes his new album - the main theme of the tour (KALEIDOSCOPE WORLD TOUR). But I was willing to give him the benefit of the doubt and provide fair coverage of a show that I thought would at least have a couple of the album guest performers appearing. Then I wondered why 8,000 punters would want to attend a show of a guy playing his own record, albeit with a few fancy lights, poor videos of the guest performers, and punctuated by multi-puffs of smoke. Mr T says that he is there for the people, shame then they can’t go to our site and download free, fine quality images of himself, like they can with every act we cover. Needless to say there is no review… but the gallery pics are sort of okay, all things considered.

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