Gaza - Too Little, Too Late Only today, 20 October 2025, has the British government and others; after months of deaths, destruction, famine and blockade; decided to condemn Israel for its actions and increased violence. And after Israel broke the ceasefire agreement which promised the release of the hostages in the second ceasefire phase. In addition, Israel continues to bomb Lebanon and Syria for reasons unclear. I fear for retaliation around the world from Palestinian sympathisers and how Palestinian children who have witnessed the horrific carnage will respond in future years. Will Trump finally stop Israel? Will there ever be peaceful coexistence? The unremitting slaughter and destruction being perpetrated by the Israeli army and its governmental leaders on Gaza and The West Bank is unprecedented, even in the context of Palestine’s long, complex and troubled past. What is happening now harks back to 1948 and the confiscation of lands and homes from a once highly cultured, historic and commercially successful Palestine (where different religions lived together in harmony). Almost half of Palestine’s population (around 700,000) were forced from their homes and land. How Israel with its holocaust past can behave as it is now is beyond me. With over 53,000 dead, over 120,000 injured (many seriously), most homes and public institutions destroyed, 200 journalists killed and over 200 aid staff murdered. The West Bank has also been under attack with homes and roads destroyed and nearly 500 Palestinians killed. And while 58 Israeli hostages require urgent freedom, the 8,500 West Bank Palestinians detained without charge and subject to horrendous conditions including torture are ignored. It seems to me that Netanyahu has taken a page or two out of the Putin playbook with limits placed on press freedom, assassinations, carpet bombing, false imprisonment… While there were international protests at the Iranian retaliatory attacks on Israel, not a word of criticism on Israel’s destruction of the Iranian embassy in Damascus (with several Iranians killed). “We have only twelve days left in our own home. forced to say farewell to everything that has become dear to you over the years - it’s frightening to have to take such a step into the unknown, to flee like a thief in the night to a village of V. in the Gelderse Achterhock, where the E. family is prepared to hide us, to try to keep us out of the hands of the cruel occupier...” Rosa De Winter-Levy. Auschwitz - A Mother’s Story, 2023 “Massacre?” “After the 1982 Israeli invasion. The Phalangists did it, but the Israelis planned it.” I look up the incident later. In September 1982, following weeks of fierce battles, Israel successfully drove the PLO out of Lebanon and moved its troops into West Beirut. They then ordered their Christian allies to enter Shatila camp and destroy the remaining ‘terrorists’ inside. During the two-day slaughter between 460 and 3,500 were killed, including many women and children. In 1983, the Israeli Kahan Commission found that Ariel Sharon - the defence minister and future prime minister - bore “personal responsibility” for the attack, which is believed to have sparked the Middle East’s first ever suicide bombing in Tyre in November 1982. Rebecca Lowe. The Slow Road To Tehran, 2022 “Jordon is doing its best in a difficult situation,” Peter continues. “Security personnel are not as bigoted or brutal as those elsewhere, and state subsidies are generous compared to Europe and the Gulf.” “Though of course,” he adds “this still means huge suffering for the people involved. It means sleeping in flimsy shelters and enduring hardship and disease. It means living with no independence and limited privacy or control. It means suffering the indignities of incarceration when you’ve committed no offence. Can you imagine living like that?” he asks. For a moment, I try to. I try to imagine being driven from my home into such a place, with no escape and nobody on my side…”No” I admit. “I can’t.” Rebecca Lowe. The Slow Road to Tehran, 2022 I don’t know how even to begin to articulate the cruelty, the inhumanity, the torture of such a cold and calculated murder of innocents…this was a despicable place where unspeakable acts had been perpetrated for the sport of barbaric men. Sue Black. All That Remains, 2023 Robert Jon & The Wreck Live From southern California, Robert Jon & The Wreck has been taking the southern rock sound established on the east coast and bringing it to the West Coast. Since their inception in 2011, these five native Californian’s; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry Schneekluth (lead guitar, background vocals), Warren Murrel (bass), and Jake Abernathie (keyboards), have been electrifying audiences globally with their soaring guitar leads, infectious grooves and rich vocal harmonies. Their 2021 album, SHINE ALIGHT ON ME BROTHER, was described by one reviewer as their “best album to date which is saying a lot. It’s a great album from start to finish.“ https://robertjonandthewreck.com/ Review Chester Live Rooms, 08/05/2025 It’s been one of those days. It’s the day that the UK prime minister and USA president announce a joint trade deal after trying to secure one for several years. It’s benefit to the UK is very limited while Mr Trump secures to right to flog the UK a whole range of agriculture product including cheap chemically enhanced beef which right now is banned in the UK and the EU. So, a big announcement with small benefit to the UK. It was also the day that Trump managed, because of his alliance with the almighty (as he often tells us), to secure an American pope for an historical first time. It seems that evil has its benefits…and the joker has won again! I arrived at Chester’s only genuine live rock venue to secure a free parking spot adjacent and within spitting distance of the the venue. And while I wait I witness a long line of fans slowly entering the establishment, for what turns out to be a sell-out show in front of 500 punters. Robert Jon & The Wreckers are gluttons for punishment and are at the opening stages of a tour that takes them to other European countries and the USA up to August 2025. It’s unusual for me to never have heard or seen an act prior to attending one of their shows, but today that’s precisely what I’m venturing relying wholly on third party observations of the band. OK, admittadly the fact that the band is playing 5 minutes from my home is an attraction but as I watch the long line of fans waiting to be entertained I reckon my luck’s in… I have never seen The Live Rooms looking better while the large stage is pristine with a collection of instruments spaced nicely around the area. Straight away I’m impressed with the band’s organisation as the final towels, drinks and setlists are placed minutes before the band enters stage right. There’s no support act tonight and from the obvious enthusiasm and excitement of the sell-out crowd the guys really didn’t need one. With the opening gambit ‘Hold On’ it was obvious that that leadman Jon and co possess both instrumental and vocal talent, allied with truckloads of live performance experience and confidence. The impression gained from the initial song is that the band’s music is a heady combination of heavy rock, country and blues - a lethal cocktail - that connects immediately and on target with the assembled. ‘Boss Man’ underlines the band’s reason for living while the following ‘Blame It On The Whiskey’ provides the lead guitarists, Jon and James, to duel and prove their worth. An anthemic ‘Ashes In The Snow’ has got me well and truly hooked while Jon takes a moment to speak to the assembled for the first time and in no uncertain terms signal his appreciation for the tumultous welcome. No band is complete without a great drummer and thus far Andrew Espantman proves the point with a breathtaking display that lifts the roof… ‘Red Moon Rising’ (the title track from their latest LP) with its extended intro and brilliant solo guitar spell is one of my special moments in the show, when the 3 guitarists group stage-centre and give it loads. Jon’s gravelly vocals, wonderful harmonies just visible in the acoustically-challenged venue, great instrumental performances, and songs with a rocky but melodic heart make this a special night in little ol’ Chester. Demands for an encore was inevitable and deserved from a crowd that offered some damned good backing vocals and cheers throughout. Could this become a regular tour haunt for the band? I think so. So this is ‘Southern Rock’! A brilliant and memorable 2 hours of rocky entertainment. Mike Peters Remembered It was with great sadness that I received the news of Mike Peters’ passing. Mike was a North Wales lead singer (who maintained his North Wales home throughout), guitarist and writer who most famously lead the Alarm punk band in 1981. After the break-up of the band in 1991 Mike went solo in addition to playing with the supergroup Dead Men Walking, with Billy Duffy of The Cult in Coloursound, and taking a vocalist role with Big Country. In 2010 he also played with the Mescaleros to perform the songs of Joe Strummer. The Alarm reformed in 1990 which is when I first met Mike and witnessed my initial band live performance. Each year Mike would hold The Gathering, a live show dedicated to The Alarm’s worldwide fans who would often book their places a year in advance (the 2026 event is already sold-out). These were very special shows which combined vintage favourite songs with fresh material. They were an eye-opener for me…First the passion and skill of Mike and his bandmates and secondly the enthusiasm and love, yes love, of the fans. I have never witnessed a connection between artists and audience this strong. I was blown away. The Alarm IN THE POPPY FIELDS. 21st Century Recordings 2002 I make it a rule to not review and photograph an act more than once. With Mike I broke the rule and covered him in his various roles and performances over several years. His songs and performances were nothing less than compelling, made even more memorable by the rapt and genuine responses of his dedicated fans who had followed the band since its inception many years before. Mike’s wife Jules was often close by at gigs and I could see how close they were. Jules also suffered from cancer at one point. Mike was devoted to his North Wales roots with three local performances that underlined the point. The first was a solo performance at a tiny venue close to his home in Dyserth, North Wales. This was not about financial gain but the desire to play for his neighbours. The second performance was at Wrexham’s Glyndwr university (formerly N.E.W.I.). The event was entitled Alarmstock. It’s unusual, and in my experience unique, for an artist to expose himself and his songs to weekend-long scrutiny by an audience. But this is precisely what happened here in Wrexham last weekend. Mike Peters (The Alarm) performed 132 of his own compositions during no less than eight separate acoustic sessions. Between each performance there were Alarm video shows, and special guest appearances by Californian singer/songwriter Brian Travers, and Scottish singer/songwriter JJ Gilmour from The Silencers. Peters’ final, dynamic performance on Sunday night was in the company of Bruce Watson from Big Country. Alarm fans from around the world attended the sell-out, twelve-hour marathon- some show, some artist! Then the best Peters session of the weekend, entitled Pouring Petrol On Fire, when he performed many new Poppy Fields songs. It was during this session at the foyer stage that some of my personal favourites from the Poppy Fields series were played, including ‘The Normal Rules Do Not Apply’ and the incredible anthem for our times, ‘The Unexplained’. Peters informed the audience that the Poppy Fields series of five albums would shortly be distilled into one new album for general release later in 2003, and that the views of fans would be considered in selecting the songs, songs which reflected real life. |
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