The Commoners Live

  Montreux Fest British Dedication

  Joanna Shaw Taylor UK Tour

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

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  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

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  A Fly-Free Zone

  Liverpool Jazz Festival

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  Rag’n'Bone Man Live

  Sea Girls Live

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  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

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  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

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  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

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  David Gray Live in Liverpool

  John Lennon Interview


Rise Against Live At The Apollo

t4

Thursday Biography

Thursday have always been difficult to categorize. Although they famously rose out of New Brunswick, New Jersey’s basement culture they’ve always been far too cerebral to be considered a traditional hardcore band. Over their eleven-year career they’ve toured with everyone from the Cure to Cursive, but have retained an inherent aggressiveness that can only come from being weaned on similarly independent nineties acts like Ink And Dagger and Lifetime. All of these references to other bands only serve as guidelines - and with COMMON EXISTENCE Thursday have finally reconciled all of their seemingly disparate literary and musical influences into a collection of songs that span the spectrum of human emotions from frustration to hope and, above all, love.

t5

When Thursday singer Geoff Rickly, guitarists Tom Keeley and Steve Pedulla, bassist Tim Payne, drummer Tucker Rule and keyboardist Andrew Everding - delivered the genre-defining FULL COLLAPSE, Alternative Press called 2001 “The Year Punk Broke Again.” SPIN christened the band the “The Next Big Thing” featuring Rickly on its cover in 2004. Thursday’s major-label debut, WAR ALL THE TIME, was a commercial success - but, ultimately, Thursday abandoned that route. Instead, they became something far more impressive in today’s musical climate: A band that eschewed gimmicks, instead forging a unique, organic and evolving sound more lasting than trend. The New York Times concluded, “They may not be rock stars, but by a kind of critical consensus they have emerged as the standard-bearers for their sound, the band considered most likely to survive the vagaries of rock trend-hopping.”

t81

It worked and fans embraced the band’s subsequent releases such as their Dave Fridmann-produced 2006 opus A CITY BY THE LIGHT DIVIDED, 2007’s CD/DVD package KILL THE HOUSE LIGHTS and this year’s extremely well-received split-EP with the legendary Japanese screamo band Envy. Though the band have taken some time off to work on other projects-including Rickly’s visceral outfit United Nations, Keeley’s Black Jets project and Rule’s jaunt overseas to fill-in with My Chemical Romance - they have spent the better part of the past twelve months in a damp warehouse in New Jersey writing the songs that comprise COMMON EXISTENCE. “We worked on this record every day for almost a year,” explains Rickly, adding that the band spent six hours a day poring over the instrumentation and arrangements of these songs until they came up with something they were all ecstatic about.

t61

“Writing this album was an enormous amount of work because we wanted to do something that was a progression and was also closer to the heart of what Thursday’s sound is about,” Rickly explains. “I think the rest of my band has really amazing chemistry and I really wanted to push them to find even deeper strengths than they had before,” he continues, “despite all the hard work, it’s the most fun I’ve had making a record.” And it shines through while listening to the disc in lieu of the sometimes heady subject matter.

t131

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