Montreux Fest British Dedication

  Joanna Shaw Taylor UK Tour

  Gaza - Too Little, Too Late

  Robert Jon & The Wreck Live

  Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  On Freelance Photography

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Josh Ritter THE ANIMAL YEARS. V2

Here’s a singer/songwriter whose albums I’ve never heard, although I saw him perform at last year’s V Festival and was impressed. In the last week we’ve received a flurry of new releases to review, and this is certainly one of my two favourites (the other being Calexico’s GARDEN RUIN - a classic in anybody’s language).



There’s almost an evangelistic flavour to this album with some songs sounding like a clarion calls. Take for example the opening folk track, Girl In The War, which opens gently enough before blossoming out into an anti-war song that I can imagine protestors singing in Trafalgar Square. There’s also a monstrous melody and beautifully clear production qualities that make this a compelling listen. Wolves bounds along at fast pace with another very strong melody. It’s another one of those tunes that becomes embedded in one’s psyche, and I challenge you to shift it. Monster Ballads boasts a strikingly clear vocal, lovely piano moments, and yes, another monster of a melody. This is followed by the lighter and highly enjoyable Lillian Egypt with its relentless snare drum rhythm and catchy choruses. Idaho is one of the highlights here with its Celt folk vibe and barren instrumental landscape. Ritter is accompanied by a just-audible plucked guitar as expressively wanders through his musical narrative. It’s very beautiful, and very moving.

The album sustains the level of quality and musical accessibility throughout with nice changes of pace and mood. There’s an all-pervading alt-country vibe shaded with folk and roots, while several songs here could be interesting singles prospects. The album ends on four of the album’s best songs including the infectious vibe of Good Man, the campfire ambience of Best Of The Best, and the epic scale of seven-minute opus Thin Blue Flame. The latter is a song that builds and builds against a bold piano backdrop, and takes you with it every step of the way. Around the middle-eight drums enter stage right which signals a short instrumental rush before the piano takes over again in a mournful march. The pace quickens again and finally there’s an astonishing musical race for the finishing line. What a song! And one that with some editing could quite easily top the singles chart.

This is an album that will appeal to a wide music loving audience, and serves as an excellent introduction to this fine young American singer/songwriter. Strongly recommended, and watch out for the interview which is coming very soon.

4.5/5


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