Mike Peters Remembered

  Elliot Minor Live Manchester

  The Swell Season LP & Tour

  Robert Jon & The Wreck ‘24 Tour

  EARTH DAY 2025

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


Miss Potter ORIGINAL MOTION PICTURE SOUNDTRACK. Dramatico



Undoubtedly this film will prove to be one of the most popular in the UK next year following its public release on the 7th January, 2007. The film stars two Hollywood heavy-weights in Renee Zellweger and Ewan McGregor, and was directed by Academy Award-winning Chris Noonan. As you can imagine, the soundtrack will be important in underpinning the film’s ambience while reflecting the character of free-spirited children’s author Beatrix Potter.

On listening, there’s a high degree of fairytale schmaltz in the orchestral score composed by the award winning Nigel Westlake (Babe), with additional music by Rachel Portman (Oliver Twist, Benny & Joon, Chocolat). The music projects images of sweeping hills, bunny rabbits skipping through meadows, with love and peace reigning supreme. In fact it all points to a sanitised and family-friendly Hollywood commercialism that may well match the publishing empire that Potter built along with her publisher Norman Warne. There are vague hints at personal turmoil in as in the Beatrix & Norman and Return To London pieces but they are very few and far between. The melodic theme is mightily strong with the weakest point on the soundtrack coming at the end with Mike Batt’s very ordinary song for Katie Melua entitled ‘When You Taught Me How To Dance.’ The song had me wondering whether Melua ever thought she would end up singing songs at this level of mediocrity while in training at Croydon’s music school…

Taken as a whole it’s a pleasant enough film score which will probably sell in truckloads and undoubtedly make the film-makers and record company owner (Mike Batt) even wealthier little bunnies…

2.5/5


Back


Wrexham 2010 - Gallery: The King Blues
The King Blues
LATEST GALLERY IMAGES

Bombs Hunger Health Life - Gallery: Israel's Weapons of War
Israel's Weapons of War Trump could stop this, now - Gallery: Who Cares?
Who Cares?
Shakenstir - Homepage Links Reviews Live Interviews Features News Contact Gallery Shakenstir - Homepage