Robert Jon & The Wreck ‘24 Tour

  Montreux Lineup 2025

  The Omen (Has Arrived)

  Divine Comedy Back in ‘25!

  DOWNLOAD 2025

  The Damn Truth UK Tour

  David Gray’s New LP & Tour

  Trump’s Winning Ways…?

  Martha Wainwright’s Debut LP

  Roger Waters on Amused To Death

  Trump, Drunk On Power

  Apartheid and Beyond…

  David Ford Live in ‘25

  My Favourite Records

  In Dreams…

  Coheed & Cambria New LP & Tour

  Young Knives New LP & UK Tour

  Elliot Minor Back In 2025

  Emily Barker LP & 2025 UK Tour

  Political Inhumanity

  Record Reviews

  Ani DiFranco 2025 Tour

  “Let Right Be Done”

  Farah Nabulsi Filmmaker

  G3 Reunion Live LP in ‘25

  IS THIS IT?

  Larkin Poe Live in ‘25 + New LP

  Laura Marling New Record Out Now

  Rise Against 2025 Tour

  Rag ‘N’ Bone Man New LP & Tour

  The Middle East Crisis

  Ezra Collective New LP & Tour

  Leif Vollebekk New, Great LP

  Stick In The Wheel Returns

  SO, WHAT’S CHANGED?

  “They’re American Planes…”

  Olive Tree By Olive Tree…

  Ani Di Franco In Conversation

  Gemma Hayes Returns

  Remembering Thomas Hoepker

  Joe Bonamassa Live in 25

  On Misinformation

  Joan As Police Woman LP

  Politics - Who To Trust?

  The 76 Year Catastrophe

  Black Country Communion Back!

  Within Temptation Live Recordings

  Beth Gibbons New Solo LP

  Politics Is Failing

  Ani DiFranco New LP

  Pink Floyd’s Animals Remix

  SHIT FLOATS

  Seasick Steve Alive & Kickin’

  “My country, right or wrong…”

  Heart Announce Live Tours

  Anais Mitchell HADESTOWN Returns

  The Photographer’s Selection

  Gaza Nightmare Continues

  Princess Goes COME OF AGE

  Philip ‘Seth’ Campbell Live

  This Troubled World

  Dark Side Of The Moon 50th

  The More I Hear The Less I Know

  Great Albums: Fresh New Life

  Hozier’s New Album

  Nicole Atkins Jim Sclavunos Live

  SBT (Sarabeth Tucek) Live

  I’m As Angry As Hell!

  Magnum - A Year in Ukraine

  Alessandra Sanguinetti Interview

  The Damn Truth Live

  Newton Faulkner Live

  The Handsome Family Live

  The State We’re In Pt II

  Eric Gales Live

  The Cavalry Never Arrived

  Chvrches Live

  Andrés Peña Flamenco Star Live

  Paul Draper Live

  A Fly-Free Zone

  Liverpool Jazz Festival

  The Charlatans Live

  UK Democracy Threatened

  Rag’n'Bone Man Live

  Sea Girls Live

  Martha Wainwright Live

  Politics is Failing

  Lucy Kruger TRANSIT TAPES

  Joe Bonamassa Live!

  Rodrigo Y Gabriela Interview

  Music & Brexit

  Happy New Year?

  On Barbra Streisand

  The State We’re In…

  Welcome Back! But To What?

  What Have We Done?

  A RISK TOO FAR

  Photojournalism Hero

  Samantha Fish Live

  Gill Landry Live in Chester

  Noah Gundersen Live

  David Gilmour’s Interview

  Snow Patrol Live in Manchester

  New Model Army Live

  Shakespears Sister Live

  Lamb Live in Manchester

  The Struts Live

  Sting & Shaggy Live

  David Gray Live in Liverpool

  John Lennon Interview


THE ALARM MMVII LIVE FROM THE GATHERING 2007 (DVD)

THE ALARM MMVII LIVE FROM THE GATHERING 2007

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Silverstein Live in Wrexham

Wrexham Central Station, 27 November 2007

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Beth Rowley VIOLETS EP. Blue Thumb Records

It’s refreshing to hear a new British talent like Beth Rowley seriously take on the blues, and come up smelling roses. Looking at her photograph, you’d think she was another Universal ‘pop princess’ with her frazzled blond locks and sweet looks. But no, because here is a young lady with a distinctive and smooth voice suited eminently suited to singing the blues (and probably anything else she chose to poke a stick at). But it’s not that she can sing the blues, it’s how well she can sing them.

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Serj Tankian and Fair To Midland Live

Manchester Academy 1, 16 November 2007

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Sigur Ros HEIMA DVD. Run/EMI



2007 has turned out to be a great year for studio albums, but a vintage year for live performance albums. Two of the best have been released on DVD and this is one of them. Icelandic band Sigur Ros decided it was time to give something back to the people of Iceland and embarked on a two-week free tour of the country. The band played in community halls, fields, disused fish processing plants and whatever was available as they toured the whole country. The film’s backdrop is therefore the desolate Icelandic landscape which ties in perfectly with the band’s ethereal music. But even more important and relevant was the nature of the people that turned out in their droves to witness the band play. Whole communities gathered including the aged and the very young. In the lead-up to a concert held in a field people could be seen coming out of nowhere, walking along winding roads and paths, in cold weather, until they eventually arrived at the field. Huge campfires and clear, starlit skies added to the amazing atmosphere, while the band played a selection of songs from all its albums - beautifully.

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Sigur Rós HVARF-HEIM. EMI



Great music is defined by its ability to make an emotional connect with the listener. It must say something of substance about people and the world they inhabit. It must be, above all, an emotional journey carried along by melody and performance. Sigur Rós, despite singing in a different language, create music that reflects a mood and place with a strong and accessible emotional pull. Over this 2CD recording the band illustrate just why it is so admired the world over by people who take their music seriously. HEIM (HOME) is essentially a re-worked acoustic/unplugged recording of some of the band’s most popular studio recordings. It is beautiful and opens with what sounds like an introduction to the CD. ‘Samskeyti’ gently wanders in with repeated piano refrain in the foreground and I think a harmonium treading water in the background. There’s a key change about two-thirds through before it reverts back to finally disappear in a whisper. It’s a wondrous start. The pace quickens with ‘Starálfur’ and a fragile vocal is introduced along with sweeping string accompaniment. The pace quickens and slows to a glacial pace throughout in a song that is simple and performed to perfection. ‘Vaka’ opens with Hammond notes and sounds like church music. The six songs here are beautifully produced to reflect the purity and simplicity of the band’s music, while providing the singer and instruments individual space to be heard with total clarity. This is more than just background music, it’s an emotional journey. The only thing missing is a set of sleeve notes with translated lyrics.

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