Tom Baxter’s 2018 LP and Tour

  Jim James New Solo Release

  Snow Patrol Is Back!

  Ray LaMontagne Live

  Satriani’s G3 Live

  Frank Turner LP, Tour & Single

  Joe Satriani’s G3 New LP & Tour

  Josh Rouse New LP & UK Tour

  Anna Burch 1st LP & UK Tour

  Beth Hart UK Tour 2018

  Two New Must-Have Albums

  Hampton Court June Festival

  Stick In The Wheel Live

  Jennifer Warnes New Album

  Halo Maud, Baxter Dury Live

  Matthew Logan Vasquez Live

  The Barr Brothers Live

  Best New Album Reviews

  Download 2018 So Far…

  Glen Hansard Album Review

  My Best Albums of 2017

  Emily Barker Live in Manchester

  Katey Brooks New Single/Album

  Jim White Live in Manchester

  Album Of The Year?

  Tori Amos Live

  Bush & RavenEye Live

  Nitin Sawhney New Live LP

  Jeff Lynne’s ELO Live CD/DVD

  Grandaddy Live

  George Vjestica’s Bandante

  Laura Marling Live

  Frank Carter & the Rattlesnakes

  Martha Wainwright Live

  A Thousand Horses Live

  Rachael Yamagata Live

  Jimmy Eat World Live

  Swans Live in Manchester

  Nick Cave With Feeling

  Ben Folds & yMusic Live

  Dan Patlansky Live Blues

  Beverley Knight Live

  Wolfmother Live

  Ludovico Einaudi Live

  Barry Adamson Live Manchester

  Jess Glynne Live

  The Temperance Movement Live

  Courtney Barnett Live

  Mercury Rev Live


Emily Barker Live in Manchester

bp-82

Band On The Wall, Manchester, 24 November 2017

Emily Barker is an Australian singer-songwriter, musician and composer. Her music has featured as the theme to BBC dramas Wallander and The Shadow Line. With multi-instrumental trio The Red Clay Halo, she has recorded four albums: Photos.Fires.Fables. (2006), Despite The Snow (2008), Almanac (2011), and Dear River (2013), whilst releasing a solo album The Toerag Sessions (2015). Other projects include Vena Portae (with Dom Coyote and Ruben Engzell) and Applewood Road (with Amy Speace and Amber Rubarth).

Since taking a hiatus from multi-instrumental all-female group The Red Clay Halo, with whom she made four albums, Barker has been edging closer to the sources of her musical inspiration. At a tender age, her mother taught her to sing harmonies while her father introduced her to his record collection (they didn’t own a television). And then as she entered her teens, she discovered the blues and soul of Aretha Franklin, Koko Taylor and Bettye LaVette, and that’s where this story really begins.

bp-33

In recent years Barker has made herself at home in Nashville and Memphis, performing, collaborating and basking in musical history. In Nashville in 2014 she formed the trio Applewood Road with Tennessee-based songwriters Amber Rubarth and Amy Speace. Their eponymous LP was recorded at Welcome to 1979 studio in Nashville. Applewood Road was a regular on best-of-2016 album lists, they toured extensively, played Glastonbury and Cambridge Folk Festivals and made numerous television appearances. Meanwhile, plans for her new record started taking shape soon after. She was introduced to Grammy-winning producer Matt Ross-Spang, and the two hit it off straight away. Ross-Spang was the catalyst that brought Barker and Memphis together – born and bred in “Bluff City”, he honed in on where Barker’s roots lay as soon as she played him the songs she had been writing for the album.

bp-62

SWEET KIND OF BLUE was recorded in June 2016, at the legendary Sam Phillips Recording Service in Memphis, where the tapes have been rolling since 1960. Phillips opened his dream studio (he called it “the Cape Canaveral of studios”) after he and his artists Elvis, Johnny Cash, Jerry Lee Lewis and BB King outgrew Sun Studio, a few blocks away.

Barker’s 2017 album, SWEET KIND OF BLUE, is a love story between Barker and the great city of Memphis. To understand how this love affair began, you have to go right back to the start… Barker grew up in remote, rural Western Australia; a childhood that was blessed with an almost idyllic, roaming freedom instilled not only an itinerant spirit, but also a mighty work ethic that has seen her playing over two hundred shows a year and on the cusp of releasing what will be her tenth studio album (including her albums with The Red Clay Halo, Vena Portae and last year’s acclaimed debut as part of country trio Applewood Road).
It is largely thanks to John Peel that Emily Barker first settled in the UK. After leaving home to see the world, she ended up on the Cambridge folk scene, and formed the band, the-low-country. Just as she was considering resuming her studies back home, Peel started playing them on Radio 1, so she stayed. Her music has since been described as “heartfelt songwriting… bridging the gap between folk, country and Fleetwood Mac” (The Times), “ambitious and beautifully wrought” (Q), while the Guardian applauds her “gift for great melodies.”

bp-17

The Show

The Band On The Wall is a favoured Manchester venue for singer/songwriters. It’s a small, quality venue but with a large stage, pretty good acoustics and something of a rarity in Manchester, generous parking facilities close by. Barker is performing with a full range of instruments including Roland keyboard, harmonium, double bass, bass guitar, rhythm guitar and harmonica. At least a couple of the three band members are multi-instrumentalists. Barker’s weapons of choice are acoustic guitar, electric guitar and harmonica.

This show is part of the promotional voyage for Emily Barker’s latest album entitled SWEET KIND OF BLUE which makes up half of an extensive setlist which includes other songs from previous albums. Indeed the opening song is the title track of an early album called DEAR RIVER, and which exposes the artist’s love of Americana. It’s a melancholy song with a strong melody and once senses immediately Barker’s vocal skill, range and ability to accurately convey a song’s meaning and sentiments. She also moves from acoustic guitar to harmonica seamlessly and well.

bp-71

‘No 5 Hurricane’ is the first track performed from the new album and it’s an absolutely beautiful composition that moves along slowly with the other musicians lending their voices in the choruses. It’s a prime example of how the artist understands and appreciates melody which for me is so important. It’s a lovely performance which enthrals the capacity audience. The keyboards provide a dominant and important instrumental feature here. Another new song, ’Sister Goodbye’, is next and is a prime example of a romantic pop ballad with a melody and chorus strong enough to feature on the airways. The guitar solos are mournful and strongly country. Boo Hewerdine has co-written this song and has contributed to several others on the album.

Barker tells tales of Memphis and other artists to a rapt audience and conveys an easy ability to connect with her audience. Another track from the new album arrives with the more upbeat ‘If We Forget To Dance’ which also comes with truckloads of melody and choruses that should be play-listed strongly on BBC’s Radio 2… ’Over My Shoulder’ is another new song and for me is a highlight of the evening. It moves along at snail’s pace accompanied mainly by her acoustic guitar and harmonium with a little help from the double bass played by Peter Roe. Her interpretation is expressive and very moving.

Page: 1 2


Back



Shakenstir Photo Supplement
Wrexham 2010 - Gallery: The King Blues
The King Blues
LATEST GALLERY IMAGES

Manchester 2018 - Gallery: Freya Ridings
Freya Ridings Manchester 2018 - Gallery: Ray LaMontagne
Ray LaMontagne
Shakenstir - Homepage Links Reviews Live Interviews Features News Contact Gallery Shakenstir - Homepage