I usually read the accompanying PR blurb when receiving albums to review, especially in the case of a new artist. It’s even possible to find a grain of truth in the script, and just occasionally, something said by the artist that generates interest. In the case of Willis, talking about Justin Timberlake, “I’m not into Enid Blyton pin-ups but those NERDS are very infectious.” I sense integrity, individuality and humour with this lady that fuels my need to listen to her new album, quickly…. I perhaps should also mention that Willis, from Feltham, London, has served her time singing with bands and has been looking for a recording home for herself and her self-penned songs. I’m pleased she’s found one.

And I’m pleased primarily because it’s unusual for a strong, and inventive female talent to emerge in this over pop-ulated bloody country. Track one, Take You High, doesn’t disappoint. Clattering percussion, brushed guitar strings and then Willis’s distinctive voice take on a song with strong melody and a surprising level of immediacy for a non-pop song. Willis sounds wonderful as she wanders along, almost detached, occasionally elevating her voice as high as the Empire State. Jazzy undertones, rawness and good lyrics complete the package. It’s a great start. Next is a mellower Oh Brother with a beautiful string section leading the way, and Willis effortlessly nailing a song that flows like a gently rippling river. Beautiful.

The good news continues with the beat laden You Know Who; a delectable slice of soul with great and nicely judged vocal harmonies. Another good melody opens the door while Willis’s voice holds my attention like a vice. Paper And Stone really focuses the attention on the vocal that is sparsely accompanied by sharp percussive beats, and hand claps. Her voice strikes me as full of authority, confidence and superlative control. And this is another great song. The Ballad Of Sadie Lee betrays the lady’s love for jazz big time, and her welcome realisation that production can ruin as well as make a song. Production here is superb allowing the vocals and instruments room to express themselves, while working in total expressive union. Talk To Me offers up an acoustic guitar strumming country style, fleeting harmonica, with Willis in detached mode again, and totally spellbinding. I’m then bowled over by the swamp blues of No-One and another beautifully judged, mature, cartwheeling Willis vocal. And then I’m mesmerised by the piano-backed, stark beauty November.

I love this record. I love its originality, and its cohesive but diverse pace and mood. But above all, I reckon that the UK has a new recording artist worth shouting about, and who could find a market in the USA. A great debut album and one you should seriously consider.

4.5/5