Since her last album I’m a serious fan of this wonderful Canadian singer/songwriter. This album shows another side to Harmer’s musical persona with a much stronger country vibe. And of its genre, I doubt whether I’ll hear a better record all year.

One aspect to this album is the same as her last, and that is Harmer’s empathy for melody. Opener The Ring has it in truckloads, and it’s so strong that it refuses to leave my head. The vibe is gentle and homespun with typically strong lyrical content. Harmer’s voice is distinctive and naturally effortless, and it’s a beautiful track. I Am Aglow is another beauty with some superb banjo vollies as the song hurries along. Vocally, Harmer travels the scale with rediculous ease. Oleander is next and if there was ever an example of a song that you’ll find yourself singing on the way to work, this is it. It’s the complete song with the most perfect vocals and musical arrangement. I recently interviewed Canadian songsmith Ron Sexsmith and he explained to me the difference between American country and Canadian country. I imagine that this album is a supreme example of the differences, and exemplified by this song and the one that follows, I’m A Mountain. The latter runs at the speed of a Candian express train complete with rampant fiddle and yet another huge melody. Goin’ Out is my favourite track with its deeply emotional vibe, wonderful lyrics and Harmer’s expressive vocal delivery. In fact it’s one of the most beautiful songs I’ve heard in 2006 which I’ve reserved for Shakenstir’s next radio recording session. Will You Be Waiting For Me repeats the formula but at faster pace and helped by some more fabulous fiddle work.

For lovers of gentle country music, look no further. This is an album you will play time and time again. It also marks Sarah Harmer out as one of the great modern singer/songwriters. Essential.

5/5