Lvrpl Sound City@ Krazyhouse

  Sandy Denny Remembered

  Sophie B. Hawkins Is Back!

  Karl Jenkins: The Peacemakers

  Lvrpl Sound City: May 2012

  Sophie B. Hawkins Interview

  Skunk Anansie ‘12 Tour & Album

  My Focus Wales 2012

  2012 Festivals News

  Dudley Moore ‘Dudley Down Under’

  Cambridge Folk Festival 2012

  Europe Back With More…!

  Albums: Some Of The Best in ‘12

  Serj Tankian New Album Coming

  Seen & Heard March 2012

  Patti Smith New Album & Tour

  Tracer & A Little Crazy Live

  Focus Wales: Wrexham 2012

  Tenacious D’s 2012 Album & Tour

  Springsteen’s New Album & Tour

  Seether’s Great Album + Tour

  Sounds Of The City: Lvrpl K!

  Justice Live in Manchester

  Lindi Ortega: Live in Lvrpl

  Tracer Back By Popular Demand!

  Hot Off The Press: #1

  Roxy Music: Complete 1972-1982

  Graceland: 25th Anniversary

  Chickenfoot Live 2012

  Lanterns on The Lake: Live/Lvrpl

  Stop the Rock? Nope!

  Best Albums of 2011

  Within Temptation Live

  Volbeat & Toploader Live!

  Rock Local! Wrexham Central

  Seasick Steve Live

  Black Country Communion - Live!

  The Suzukis Inspired Live Show

  Sarabeth Tucek Live

  My Chemical Romance Live

  The Pretty Reckless Live

  Goo Goo Dolls Live in Liverpool


Catherine Feeny HURRICANE GLASS. Tallgrass

It’s highly unusual for us to acquire and review an album after seeing the act perform live. But after Catherine Feeny’s great show in Manchester at the weekend we simply had to acquire her new album. Listening to it I’m convinced that she’s a noteworthy new talent.



I’ve never been a great fan of out-and-out country and western music although there are a number of highly emotive, classic songs that I could listen to endlessly. But I am a great fan of what is termed alternative-country, based on traditional country but with injections of other genres such as rock, blues and folk. Feeny has a tight grasp of the genre and an understated way of delivering it. The opening track, ‘Touch Back Down’ is an excellent and memorable example. It opens slowly with subtle background instrumentation, building vocal and a very contemplative ambience. The choruses are heart-stopping with a melody strong enough to open the listener-involvement door. It’s a cracking, epic folk song and a highlight of this album. ‘Mr Blue’ opens the door even further but this time with a song of strong pop sensibilities and altogether lighter vibe. It’s not surprising then that this song is set to conquer the singles chart. Then it’s back to a more serious vibe with gently wandering ‘I Still Don’t Believe You’ where Feeny gives the most expressive vocal that quivers with emotion and pleads in desperation, while violins add poignancy to another album highlight. ‘Always Tonight’ adopts a rocky path to deliver its forlorn message about busted relationships, before glacially-paced piano notes introduce the very moving ‘The Shape You’re In.’ This is yet another epic highlight with a stronger country vibe in both instrumentation (with a banjo featuring strongly) and vocal style. ‘Hush Now’ is a lovely, lilting modern lullaby complete with roving string accompaniment, and whispered vocal. A mandolin welcomes in a very different style of protest song in ‘Unsteady Ground’ before the Dylan-esqueHurricane Glass makes an exuberant, whirlwind entrance. Then a simple guitar chord rhythm creates the dark and threatening ambience of ‘No Reply’ - yet another standout track. Finally, the haunting, melodic ‘Forever’ ends the album on a deeply moving and reflective note.

This is Feeny’s second album which I suspect represents a major progression. She delivers on both live and studio fronts with a beguiling mix of maturity and humility. This is an excellent album from a singer/songwriter with the potential to make huge waves in her chosen generic marketplace. Strongly recommended…

4/5


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