Lvrpl Sound City@ Krazyhouse

  Sandy Denny Remembered

  Sophie B. Hawkins Is Back!

  Karl Jenkins: The Peacemakers

  Lvrpl Sound City: May 2012

  Sophie B. Hawkins Interview

  Skunk Anansie ‘12 Tour & Album

  My Focus Wales 2012

  2012 Festivals News

  Dudley Moore ‘Dudley Down Under’

  Cambridge Folk Festival 2012

  Europe Back With More…!

  Albums: Some Of The Best in ‘12

  Serj Tankian New Album Coming

  Seen & Heard March 2012

  Patti Smith New Album & Tour

  Tracer & A Little Crazy Live

  Focus Wales: Wrexham 2012

  Tenacious D’s 2012 Album & Tour

  Springsteen’s New Album & Tour

  Seether’s Great Album + Tour

  Sounds Of The City: Lvrpl K!

  Justice Live in Manchester

  Lindi Ortega: Live in Lvrpl

  Tracer Back By Popular Demand!

  Hot Off The Press: #1

  Roxy Music: Complete 1972-1982

  Graceland: 25th Anniversary

  Chickenfoot Live 2012

  Lanterns on The Lake: Live/Lvrpl

  Stop the Rock? Nope!

  Best Albums of 2011

  Within Temptation Live

  Volbeat & Toploader Live!

  Rock Local! Wrexham Central

  Seasick Steve Live

  Black Country Communion - Live!

  The Suzukis Inspired Live Show

  Sarabeth Tucek Live

  My Chemical Romance Live

  The Pretty Reckless Live

  Goo Goo Dolls Live in Liverpool


Beastie Boys TO THE 5 BOROUGHS. Capitol

It’s been a good few years since the Beastie Boys last launched themselves at us with their infectious and fun-filled grooves, so this new album is very welcome. But it’s also a departure since the band has produced this missile themselves, for the first time. The album has taken two years to complete, in which time far more lethal armoury has been thrown with potentially devastating implications for us all.

Opening track, Ch-check It Out opens with killer drum machine shards piercing the air, accompanied by a set of lyrics of which ‘Motherfucker’ is a familiar refrain, with an open critique of the MC industry dominating. It’s both serious and funny, while kicking the album off sharply. The guys have gone back to samples for this album and the next paean to peace, love and the more recent American way (“The USA attacking other nations…”) Right Now Right Now is one of several examples.

Gone are the catchy melodies, replaced by messages of angst with percussive samples that add a funky ambience to every song. If I’m not mistaken an Adam Ant sample is used on one of the album highlights, Rhyme The Rhyme Well, and is perfectly judged. I get the distinct feeling here that the guys are cocking a hoop at other hip-hop artists, including Eminem, whose largely introspective work fails to truly identify greater USA and world ills. In effect, TO THE 5 BOROUGHS is rhyme and reason laced with sounds and production to get the messages home. As a consequence, the album is a grower rather than one that instantly gratifies with strong melody and friendly beats. It’s a brave album from a band that has put its skills to the best use, and in the process told many home truths. It is also the band’s best album yet.

4/5


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