Lvrpl Sound City@ Krazyhouse

  Sandy Denny Remembered

  Sophie B. Hawkins Is Back!

  Karl Jenkins: The Peacemakers

  Lvrpl Sound City: May 2012

  Sophie B. Hawkins Interview

  Skunk Anansie ‘12 Tour & Album

  My Focus Wales 2012

  2012 Festivals News

  Dudley Moore ‘Dudley Down Under’

  Cambridge Folk Festival 2012

  Europe Back With More…!

  Albums: Some Of The Best in ‘12

  Serj Tankian New Album Coming

  Seen & Heard March 2012

  Patti Smith New Album & Tour

  Tracer & A Little Crazy Live

  Focus Wales: Wrexham 2012

  Tenacious D’s 2012 Album & Tour

  Springsteen’s New Album & Tour

  Seether’s Great Album + Tour

  Sounds Of The City: Lvrpl K!

  Justice Live in Manchester

  Lindi Ortega: Live in Lvrpl

  Tracer Back By Popular Demand!

  Hot Off The Press: #1

  Roxy Music: Complete 1972-1982

  Graceland: 25th Anniversary

  Chickenfoot Live 2012

  Lanterns on The Lake: Live/Lvrpl

  Stop the Rock? Nope!

  Best Albums of 2011

  Within Temptation Live

  Volbeat & Toploader Live!

  Rock Local! Wrexham Central

  Seasick Steve Live

  Black Country Communion - Live!

  The Suzukis Inspired Live Show

  Sarabeth Tucek Live

  My Chemical Romance Live

  The Pretty Reckless Live

  Goo Goo Dolls Live in Liverpool


ASCII DISKO. L’Age Dor

So you think you’ve heard dirty, relentless, electronic dance music. After listening to this new album, I really don’t think you have.

The album opens with Immerz, and believe me when I say that beats don’t get much dirtier than this little baby. Threatening, juddering sounds gradually explode into razor sharp bass beats accompanied by a mocking, monotone vocal. It’s filthy, frightening and relentless, and bloody great! Without time to inhale oxygen, Ne Travaillez Jamais grabs you by the throat. Bold bass beats, shards of keyboard notes asphyxiated by control knobs, and a vibe that sounds as though it’s been beamed down from the planet Mars. Incredible stuff.

Strassen is next up, with bass notes that have been plundered from the lowest depths, interspersed with whiplash electronic sounds and keyboard shrieks that threaten impending disaster. Then a gruff German basso profondo vocal enters just to make sure that the message of doom is fully comprehended. And just as I thought that dance music couldn’t get any better, along comes Cool. Imagine someone continually banging on your door for a desperate response, well that’s the sound here and it’s akin to a musical wake-up call. Add jagged keyboard and frightening vocal samples, and you have something that’s just a bit special.

This is an album full of innovation and devastating electronic sounds, and there is no better example than the electronic art of Setzt with its blips, wizzes, bangs and pops. The album closes on a lighter note with Schanze, a song with a single plucked string backdrop and what can best be described as the relentless crackle from an old vinyl record. It’s highly original and totally mesmerising.

The shock for me is that while I’m not a dance fan, this record had me pinned back in my seat. It’s designed for those dark, metallic techno cellar dance clubs criss-crossed with gleaming shafts of laser light, drugs by the bucket-load and a dj hidden menacingly from view. If you buy one dance record this year, make it this one. But be warned, this is seriously bad…

4/5


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