Katey Brooks New Single/Album

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  Seen & Heard Jan-March 2017

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Loudon Wainwright III London 2017




The sardonically humorous singer-songwriter delivers a moving meditation on father/son relationships.” - The Hollywood Reporter
“…a bristling, acerbic, ultimately affecting family album of a show, with father-son resentments, hostilities and resemblances laid out for all to see, alongside the love and self-loathing.” - New York Times

Surviving Twin” is a posthumous collaboration in which Grammy Award winner Wainwright connects some of his best songs with the writing of his late father Loudon Wainwright Jr, the esteemed LIFE Magazine columnist. The performance is a game of creative catch between son and father, exploring issues like birth, loss, parenthood, fashion, pet ownership, and mortality. In a one man show, Wainwright recites a selection of his father’s compositions interspersed with songs from his own catalogue. “Surviving Twin” has never been previously performed in the UK.

Loudon’s career as a songwriter, humourist and actor, spans over two-dozen albums. He collaborated with Joe Henry, on the music for Judd Apatow’s hit movie “Knocked Up”, penned music for the British theatrical adaptation of Carl Hiaasen’s novel, “Lucky You” and also recorded several songs for HBO’s “Boardwalk Empire”. His songs have been recorded by many including Johnny Cash, Mose Allison, Earl Scruggs, Kate and Anna McGarrigle, Rufus Wainwright and Bonnie Raitt.

As an actor, he hit the screens early in his career playing Captain Calvin Spalding, the “singing surgeon”, on the American television show, M*A*S*H and has subsequently appeared in films directed by Martin Scorsese, Hal Ashby, Christopher Guest, Tim Burton, Cameron Crowe, and Judd Apatow.


A limited edition, deluxe hardback programme including an 18 track CD of show excerpts will be available exclusively at the performances.





Thu 09 Mar 19:30

Fri 10 Mar 19:30

Sat 11 Mar 15:00 19:30

Sun 12 Mar 19:30


‘Surviving Twin’ in Loudon’s words:

It started in Maine. I was up in Vacationland to do a show and since there were no hotels near the gig that met my primary on the road requirement (windows must open, at least a few inches) I was housed in someone’s cabin. Not really a cabin per se though, since there were modern amenities, among them cable TV, laundry facilities, and a dishwasher. But the place had a cabin like feel to it, with a trace of Cracker Barrel Old Country Store ambience. Deer antlers and a pair of antique cross country skies were mounted on the interior walls and there were black and white photos hanging in carved wooden frames – a children’s Sunday school class from the 1920s and some strapping men with handlebar mustaches assembled in a 19th century logging camp. In the middle of the cabin’s living room was a swaying, upholstered easy chair and on the floor next to it, a magazine rack containing copies of old LIFE magazines. At some point I sat down and pulled out an issue from 1971 with Tricia Nixon on the cover, knowing it was possible that one of my dad’s “The View From Here” columns might be in the front section of the magazine.

Sure enough there was one, and not just any old column but one of his best, for my money the very best. It was “Another Sort Of Love Story” a twelve hundred word essay about having to put our family dog John Henry to sleep. I started to read it and was laughing immediately. By the time I got to the pay off at the end of the piece I was sobbing, the perpetual Gordian knot in my gut having been relaxed and released for the first time in God knows how long. Of course I had known the writer, as well as the dog and had loved them both, although expressing that love to the former had always been a pretty tall order for me, practically an impossibility.The experience in Maine shook me and I decided to find and read all my Dad’s columns. When they first were published in the magazine in the 1960s and 70s I mostly ignored them because having a famous father had been, by in large, kind of a drag. I was the son of the famous LIFE magazine writer Loudon Wainwright. Wasn’t that great? Wasn’t I proud? Those 2 questions always led to a third, which I invariably asked myself: How the hell was I going to top that?

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