Karl Jenkins: The Peacemakers

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  Liverpool Sound City The Music

  Skunk Anansie ‘12 Tour & Album

  My Focus Wales 2012

  2012 Festivals News

  Dudley Moore ‘Dudley Down Under’

  Cambridge Folk Festival 2012

  Europe Back With More…!

  Albums: Some Of The Best in ‘12

  Serj Tankian New Album Coming

  Seen & Heard March 2012

  Patti Smith New Album & Tour

  Tracer & A Little Crazy Live

  Focus Wales: Wrexham 2012

  Tenacious D’s 2012 Album & Tour

  Springsteen’s New Album & Tour

  Seether’s Great Album + Tour

  Sounds Of The City: Lvrpl K!

  Justice Live in Manchester

  Lindi Ortega: Live in Lvrpl

  Tracer Back By Popular Demand!

  Hot Off The Press: #1

  Roxy Music: Complete 1972-1982

  Graceland: 25th Anniversary

  Chickenfoot Live 2012

  Lanterns on The Lake: Live/Lvrpl

  Stop the Rock? Nope!

  Best Albums of 2011

  Within Temptation Live

  Volbeat & Toploader Live!

  Rock Local! Wrexham Central

  Seasick Steve Live

  Black Country Communion - Live!

  The Suzukis Inspired Live Show

  Sarabeth Tucek Live

  My Chemical Romance Live

  The Pretty Reckless Live

  Goo Goo Dolls Live in Liverpool


So U Wanna Record Deal??

shake-all5Despite all the talk of how getting signed is not going to do you many favors, most artists are still hoping to get signed. And why not, it can help you in many ways, if you are smart about it. However the effort they put into getting signed is often simply a waste of time. I still see this happening a lot.

Here’s the typical blueprint:
Make a high quality demo of their 3 best songs
Google the address of major labels and a handful of big indie labels
Make a funky package in a jiffy
Send and wait for a response

If you’re lucky you’ll get a decline letter, but most of the time the result is a complete radio silence. All record companies receive dozens of unsolicited demos every day. The majors receive hundreds. Your hard work on that demo is going straight to the big brown box by the receptionist, who picks up the mail every day. (I’ve seen the box, it’s big!)

Instead, your time and money is much better spent on figuring out who you are, creating interesting stuff and making connections.

Figure Out Who You Are

All musicians probably have their “personal Beatles”. You know that band that first hit you in the head like a ten ton hammer, and made you want to become someone like them. Having someone that can inspire you endlessly is a great start but you need to quickly move on if you want to have that same effect on others.

Most bands say they “don’t want to be pigeon holed”. No. You absolutely want to belong somewhere. It’s important that you can describe yourself beyond the fuzzy and the bleeding obvious (like we’re a blues band with a female singer). Think about values, message, a lifestyle that you present. Name three bands that you could tour with. Name three venues that would be ideal. There’s your pigeon hole. If you can’t tell yourself where you belong and what you present, no one can understand what you’re about.

Creating interesting stuff

This should go without saying, that’s what your hear to do. But creating interesting stuff extends far beyond writing a good tune. Don’t get me wrong, your music is your foundation, and putting time and attention to it is essential. However, there’s more to your band than good music. Band photos of four guys posing in front of the brick wall is not going to do many favours to your great tunes. Shaky live gigs with poor sound quality are not going to make people want more. Having nothing to say is not going to inspire anyone. Think about the big picture.

Make Connections

Once you have your shit together, go out and meet people who you enjoy being with. Crowds, other bands, promoters. That’s how every business works. No one’s going to pick you up and fly you to the moon. You’ll get there by being amazing in your work and towards other people. Be active and become part of your scene. Help others instead of expecting them to do things for you because “you’re with the band”. That way you’ll start to make a name for yourself and meet people who want to collaborate with you. Wether it was promoters, bloggers or record companies.

What The Record Company Wants

Being active and DIYing is exactly what the record companies want, too. There’s a great bit of advice on Universal Music’s blog on how to get signed. http://umusic.co.uk/umusic-blog The first point being “don’t worry about getting signed”. They are looking for bands who do their thing, are brilliant at what they do and who know where their audience is.

And it all points to this article on Universal’s blog written by Fiction A&R execs Gary Harris and Alex Close where they have written this blog with some useful first steps if you want to turn your music into a career.

1. Don’t worry about getting signed.

2. Make music that you adore.

3. Be unique and brilliant

4. Being an interesting person with something to say is a good starting point. Work on that before you even think about writing a song.

5. Once you do have some songs think about performing live.

6. See point 3 again

7. If your audience drifts away to the bar you’re doing something wrong. If they throw things at you, you might just be doing something right.

8. Get online and make sure people that like you can find out more about you. Put up as much or as little information as you like but see point 3 again.

9. High quality demos aren’t essential. A good song is a good song. If enough people like it someone will tell someone and you’ll get offered some free studio/producer time. Or help with video filming or releasing a single to get you to the next level.

10. Be prepared for this all to take a while. “Overnight sensations” have usually been plugging away for years in various different guises before finding that right alchemy.

11. Because of point 10, refer to points 1 and 2 again, that’ll keep you going and enjoying it. And See point 3 again.

12. Send in unsolicited demos by all means – they will be listened to eventually – but taking on board and acting on the above gives you much better odds.

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