The Hours Live

  Roger Waters: The Best Concert Of 2008!

  Gibson Guitar Launches Dark Fire!

  Let It Bleed: The Book Of The Tour!

  Greatest Guitar Riff?

  Breed 77 and Panic Cell Live

  iLike.com: Part of your future?

  Numark’s New DJ System!

  Bullet For My Valentine And Peavey!

  The Black Crowes: Warpaint

  XFM: Debut Sessions: The Album

  The Storys TOWN BEYOND THE TREES. Hall Recordings

  Silverstein Live in Wrexham

  Beth Rowley VIOLETS EP. Blue Thumb Records

  Crash My Model Car GHOSTS & HEIGHTS. My Dad Recordings


Duffy Live: Wrexham: 2008

Wrexham Central Station, 5 March 2008

The most hyped UK moment at the moment is North Wales’ own Duffy. I can’t think of another artist who has appeared twice in a single season on Jools Holland’s Later TV show, or one that has received so much airplay, and zoomed to the top of the charts with a single and album in super-quick time. The young lady certainly possesses natural vocal talent, honed over a few years through live gigs and an appearance on a Welsh TV talent show (where she came second). Duffy has hooked up with good management and the writing/producing talents of Bernard Butler who have helped her achieve so much in so little time.

All this meant that I was a little puzzled why an artist of this ‘stature’ was appearing at Wrexham’s Central Station. My associate suggested it was because she was still polishing her live act in smaller venues before launching herself onto much larger venues and internationally. Perhaps so but the fact remains she could have easily filled the town’s 1,000 plus capacity concert hall, with its excellent acoustic quality.

Outside the venue touts were selling £7 tickets for up to £50, and on arriving inside found it was crammed.

I labour the point because I was there to review the lady’s performance and had to leave early because an objective assessment was just not possible due to the sound quality. However, I was located in the photography pit where I could both see and hear her while she performed the first two songs of her set. The first thing that struck me was that she is much more attractive than she appeared on TV and in the print media. Stunningly beautiful she is not but she possesses a distinctive and homely look that is striking.

With Dusty Springfield style flourishes and backed by a strong four-piece band, she demonstrated what a powerful voice she has, without undue effort or drama. She also appeared comfortable with her audience as she introduced songs and chatted. But just as she was getting into her stride my residency in the pit came to an abrupt end as our stay for three songs was cut to two by Duffy’s manager, and I was forced to leave. After struggling to the back of the venue (to catch the rest of the show) it became clear that I would be wasting my time as I could neither hear or see her.

But I had seen and heard enough to know that she is one of the more talented female newcomers (and there are a few…). Songs like ‘Mercy’, ‘Rockferry’ and ‘Serious’ certainly meet the demands of the mainstream and radio, but I do hope that she will eventually tap the full potential of her talent with songs of far greater stature and real emotional depth. A great singer needs great songs…

She has since become the darling of the great white wave, and ends the year on a high that she will find hard to duplicate next time around, enjoy it while you can…


Goldfrapp SEVENTH TREE. Mute



For a while now I’ve been hoping that the real Alison Goldfrapp would be revealed on record following three albums displaying diverse styles. But perhaps with Alison that’s the whole point… Blessed with a quite extraordinary voice (that I’ve witnessed on stage on a couple of occasions) I’ve never really understood where she stands musically, or what she really likes. Listening to SEVENTH TREE I believe that it’s getting closer, with the absence of some of the musical frippery evident on past records.

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Nick Cave & The Bad Seeds DIG, LAZARUS, DIG!!! Mute

Cave has rightly earned the title of ‘most productive musician’ following last year’s studio and two film soundtrack album releases. And for Cave, quality has not been sacrificed for quantity. All three albums met with universal acclaim, and rightly so. With critical success comes an aggressive confidence that screams out from the tracks of this new album. Cave’s dark musical side has always fascinated me and can arguably be interpreted as self-flagellation for his own misjudgements, broken love affairs and other misfortunes. But it’s his acute powers of observation and thought that both feature heavily on DIG, LAZARUS, DIG.

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Whiskycats



“That is, by a country mile, the best record I’ve heard in three months doing this show.”– Phill Jupitus on In This Chair

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Laura Critchley SOMETIMES I. Big Print



From the sound of her voice and songs you’d think that Critchley hails from America’s Mid-West, and not from her hometown of Liverpool. She has a good voice and, as the PR material keeps telling me, she looks great. But the big test is the quality of the songs because it really doesn’t matter how good, or pretty, if the songs don’t cut it. So how does Critchley fare? Well the news isn’t bad and it isn’t great. Opening song ‘Today’s Another Day’ is very standard country pop material but things improve with the next song, ‘What Do We Do’, with its tidy lyrics, expressive vocal and workmanlike instrumental arrangement. The song is about a couple breaking up and the realisation that things aren’t the way they used to be. It’s an epic pop ballad that should be selected as the lady’s first single but probably won’t be (too sad, too downbeat…). ‘Shoulder To Lean On’ goes down the R&B route but fails to light my fire. ‘I’ll Be OK’ tacks back to emotional vibe in a contemplative, slow-paced song about lovers parting. It runs on a tank-full of melody and then ups the anti with sweeping string arrangements that add something worthwhile to the song’s dramatic message. ‘Sometimes I’ is the worst song in the album and I bet that it’s the one that is released as a single. ‘Tell Me’ is another R&B love song with passable lyrics and melody, with Critchley letting fly with her vocal to great effect.

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