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Defenders Of The Faith III Tour
TRIVIUM IN FLAMES GHOST RISE TO REMAIN INSENSE Metal Hammer’s legendary Defenders Of The Faith tour is back! The massive tour with its stellar bill will be hitting the road on December 1st and tears it up from Southampton to Glasgow over seven shows until December 8th. This year’s bill is another top-to-bottom all-star collection of some of the biggest, best and brightest stars in metal today: young metal heroes Trivium, Gothenburg gods In Flames, British upstarts Rise To Remain, mysterious metallers Ghost and fresh Norwegians Insense. “Prepare for the siege on the UK that is the 2011 Metal Hammer Defenders Of The Faith Tour,” says Trivium’s Matt Heafy. “This is what it’s all about: an epic night to celebrate all that is glorious about the diverse world of metal. This bill is a must-see tour and has something every fan of modern metal can enjoy.” “We are glad to be part of such an awesome bill on the Defenders Of The Faith tour,” adds Anders Fridén of In Flames. “We are looking forward to playing the UK after such a good time this summer at Sonisphere.” “Without In Flames, Trivium wouldn’t exist,” explains Matt. “So needless to say, the ability to tour with these legends is a dream come true.” Matt is also excited about the other bands on the bill, and rightly so! “Rise To Remain are flying the flag for British metal,” he says. “They’re up and coming stars and good pals of ours too. Ghost are something special; you can feel the electricity and mystery behind Lucifer’s house band. Prepare your souls for the sermon. They are a must-see. Insense deliver some pummelling brutality and a sense of catchiness that is all their own.” “We are incredibly excited to be part of the Defenders Of The Faith tour,” says Rise To Remain frontman Austin Dickinson. “Touring with such an unbelievable and diverse metal ensemble is a great honour, and we look forward to spreading the Metal Hammer gospel with our buddies in Trivium, and our new friends in In Flames, Ghost and Insense! Get ready, get stoked!” The mysterious Ghost frontman, Papa Emeritus 1, also corresponded with us at Metal Hammer to say: “After a few close calls, we are finally embarking on a full-fledged ungodly crusade of thy United Kingdom. Our boss (the old horned codger) is very, very pleased with this opportunity to bring Ghost in front of so many young souls. That is our mission.” As for what Trivium have planned, Matt says that “Trivium plan to crash [new album] In Waves down on the UK shores and we plan on bringing a whole new set and show. This tour will rule.”
Krazy, Krazy Nites The Krazyhouse & Fudge, 16, Wood Street, Liverpool, L1 4AQ: Liverpool’s #1 Alternative club / Venue; open 3 nights a week, with 3 Floors of Music and 3 bars open from 10pm until 4am every Thursday, Friday & Saturday night. The higher the floor, the lighter the music. has to be seen to be believed! Read more
Slash: Use Your Illusion: I/II There’s a black limousine creeping along Sunset Boulevard late in the evening of 16 September 1991. It stops short of Tower Records, which looks like Dracula’s castle under siege, with a rowdy mob of people drinking, swearing and banging on the locked doors. Although he’s risking a full-scale riot by doing so, a dark figure slips from the limo, sneaks unnoticed into the store’s trade entrance and takes up position behind the same two-way mirror through which he was spotted shoplifting cassettes as a teenager. It’s voyeuristic of Slash, but you’d do the same. At the stroke of midnight, 4.2 million copies of Use Your Illusion I and II will be released to the US public, marking the largest album shipment in history. The releases also draw a line under a period that dragged Guns N’ Roses through hard drugs, firings, food fights, public nudity and – let’s not forget – some of the best guitar riffs of the decade. “I’d have preferred to do a record with just 10 fucking songs that were a bit more straightforward.” Slash Looking down on the ringing tills, Slash doesn’t know it yet, but these records will be the last great statements his band makes before it fractures, falls and mutates into the freakshow that trades under the Guns N’ Roses banner circa 2011. That’s all to come. For now, everyone is listening to Use Your Illusion. Everyone, that is, except Slash himself. “I don’t know which one I prefer,” he tells us straight out of the blocks. “I haven’t listened to the Use Your Illusion albums for so long, I don’t even know what’s on each. I know people like the blue one over the red one… Or maybe it’s the other way around.” Er, right. It’s a worrying start to an interview that’s based around the 20th anniversary of these twin albums, but things soon warm up. It’s not that Slash doesn’t care. It’s that while making the Illusion records, he cared about nothing else, losing himself to these 30 songs while holed up in Studio B of LA’s Record Plant as a kind of heroin withdrawal programme. There are memories in this music – musical, personal, glorious and painful recollections– and you sense that listening to it is like sifting through the old photos from a failed marriage. “I don’t like to go back and look at stuff, because I find it mesmerising,” Slash says. “It freaks me out. So I avoid it.” Push him on it, though, and the dam breaks: “I was just totally obsessed with the creation of the Illusion records and when I got into that studio, I was completely absorbed with everything to do with them, all the time. Because it had been so long. “We’d made Appetite [For Destruction] and then toured for years and – for me, and I know for a couple of the other guys – we’d crashed and burned. So we were pulling ourselves out of the fucking quagmire and going back to work.” How bad did things get pre-Illusion? Try rock bottom. An on-and-off heroin user since the late ’80s, Slash cleaned up for Guns’ first serious stab at the albums: a residential preproduction session in June 1989 that saw the band and crew relocate to Chicago. If this was intended as a team-building exercise, it tanked; Guns’ troubled second guitarist, Izzy Stradlin, often failed to show and Axl Rose drifted by sporadically to jam at the piano. While kicking their heels, Slash and Duff McKagan managed to combine a daily half-gallon of Stolichnaya vodka with an unlikely interest in weightlifting. This wasn’t going well. Still, Chicago wasn’t a total flop. The seeds of a few songs emerged, notably Bad Apples, Garden Of Eden and Estranged, with frontman and leader of the band W.Axl Rose pounding the rehearsal-room piano and Slash wringing rich vibrato from long, hanging notes. But it was becoming clear this new project’s grandiose ambition was a sticking point. Making an album to soundtrack fighting and fucking was no longer enough for Guns’ lead singer. “We want to define ourselves,” Rose told Rolling Stone. “Appetite was our cornerstone, a place to start. That was like ‘Here’s our land and we just put a stake in the ground. Now we’re going to build something.’” Slash had misgivings, but didn’t want to start rocking an increasingly precarious boat. “It was definitely exploratory compared to Appetite,” he explains. “I mean, honestly, I’d have preferred to do a record with just 10 fucking songs that were a bit more straightforward, but it was an opportunity to finally get the band to work again.” According to his autobiography, we remind him, Axl was starting to communicate with the band through management. “Me and Axl were doing okay,” he sighs, diplomatically. “The only catch with the Illusion records was the introduction of synthesizers. I disagreed with synthesizers – and I still do. By the time the Chicago sessions collapsed, the band had become boorish and bad tempered, with Axl dumping the band’s Italian buffet on hecklers beneath their apartment and ejecting groupies for failing to deliver.
August 2011: The Best Albums Transformers Dark Of The Moon Soundtrack. Reprise My favourite soundtrack of the year so far, and by a country mile! Fabulous sound quality, which is usual for a soundtrack album, and including some of the finest rock bands on earth. Check out the list: Linkin Park, Paramore, My Chemical Romance, Taking Back Sunday, Staind, Art Of Dying, Goo Goo Dolls, Theory Of A Deadman, Black Veil Brides, Skillet, Mastodon and Beatsteaks. Add the fact that all the songs selected are of the highest quality and you have the most compelling, essential rock compilation. 4/5 Other Lives TAMER ANIMALS. Play It Again Sam Thus far one of my favourite albums of 2011. Think Fleet Foxes, Low Anthem, Midlake, Radiohead - a combination of all three - bursts of brass, superb melodies, wonderful lyrics and passionate vocals. Then try to find a single mediocre filler track on this lovely album - you’d fail miserably. Having seen the band perform and succeed wonderfully well in a grotty venue I can assure you that this band sound as good live as on record. I’ve already played several tracks on my radio show including the stunning, explosive brass-led opener ‘Dark Horse’; tribal base, contenplative vibe of ‘As I Lay My Head Down’; first single ‘For 12, ghostly title track and percussion dominated ‘Weather’ with its glorious vocal harmonies. These are my favourites but each time I listen another track is added to the lengthening list. This is the finest folk rock and in my view far more interesting than Fleet Foxes with its sharper edge and amazing ability to create original sounds from both new and old. 4.5/5 Steve Martin And The Steep Canyon Rangers RARE BIRD ALERT. Rounder Is there anything Steve Martin can’t do? The answer’s probably no but few music fans realise that bluegrass banjo playing was his first artistic accomplishment. And back then he frequented the Troubadour club in West Hollywood, CA, along with many singer/songwriter greats like James Taylor, Joni Mitchell, Neil Young, Gordon Lightfoot, Elton John, Carly Simon and many more. However, it took many years for Martin to release his first excellent album in 2009. This is his second album which boasts a great support band in addition to wonderful guest artists Paul McCartney and the Dixie Chicks. This joyful album opens with a vibrant instrumental ‘Rare Bird Alert’ which is bound to get those toes tappin’, followed by cracking vocal song ‘Yellow-Backed Fly’. There’s a lightness of touch here and it seems like Martin is really saying, ‘hey, forget today’s problems, great times lie ahead’. Martin’s voice is something of a revelation on a song that remains my personal favourite on this album ‘Best Love’ sounds like a gently flowing stream and features an understated Paul McCartney on vocals. It’s a lovely, contemplative piece with a monster of a melody, and it’s another highlight. There’s another wonderful, rapid-fire instrumental in ‘Northern Island’ and another bunch of great songs with diverse pace, always firmly based on terrific melodies and the most skillful, exuberant performances. Look, it’s very simple. If you like Bluegrass and the banjo then this is a real treat and absolutely essential. 4/5 Classic Song Series: No. 2 You’ll Never Walk Alone “You’ll Never Walk Alone” is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. In the musical, in the second act, Nettie Fowler, the cousin of the female protagonist Julie Jordan, sings “You’ll Never Walk Alone” to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, kills himself to avoid capture during a failed robbery. It is reprised in the final scene to encourage a graduation class of which Louise (Billy and Julie’s daughter) is a member. Billy watches this ceremony during his return to earth. The song is also sung at association football clubs around the world, where it is performed by a massed chorus of supporters on matchday; this tradition began at Liverpool Football Club in the early 1960s and later spread to several other clubs. Besides the recordings of the song on the Carousel cast albums and the film soundtrack, the song has been recorded by many artists, with notable hit versions made by Frank Sinatra, Gerry & the Pacemakers, Judy Garland, Elvis Presley and Doris Day. Progressive rock group Pink Floyd took a version sung by the Liverpool F.C. Kop choir, and “interpolated” it into their own song, “Fearless”, on their 1971 album, Meddle. Since 1964, Jerry Lewis has concluded the annual Jerry Lewis MDA Telethon by singing the song. American singer and songwriter Barbra Streisand sang this song in a surprise appearance at the close of the 2001 Emmy Awards, in honor of the victims of the September 11th, 2001 attacks. In The Hitchhiker’s Guide To The Galaxy, the onboard computer Eddie sings this song in an attempt to calm the crew of the Heart of Gold as their imminent destruction approaches in the form of a missile. Renée Fleming sang the song for the Obama Inauguration on January 20, 2009. In 2010, this was sung during the festivities of the Last Night of the Proms, with the choir at the Albert Hall joined by crowds of the public from Hillsborough Castle, Northern Ireland; Caird Hall, Dundee; Hyde Park, London; Salford, Greater Manchester; and Wales. This was to commemorate the death of Oscar Hammerstein II. In the United Kingdom, the song’s most successful recording was released in 1963 by the Liverpudlian Merseybeat group Gerry & the Pacemakers (peaking at number one in the singles chart for four consecutive weeks). The song quickly became the anthem of Liverpool Football Club and is invariably sung by its supporters moments before the start of each home game. The words “You’ll Never Walk Alone” also feature in the club crest and on the Shankly Gate entrance to Anfield, the home stadium. According to former player Tommy Smith, Gerry Marsden presented Liverpool manager Bill Shankly with a tape recording of his forthcoming cover single during a pre-season coach trip in the summer of 1963. “Shanks was in awe of what he heard. [...] Football writers from the local newspapers were travelling with our party and, thirsty for a story of any kind between games, filed copy back to their editors to the effect that we had adopted Gerry Marsden’s forthcoming single as the club song.” Marsden himself told BBC Radio how, in the 1960s, the DJ at Anfield would play the top-ten commercial records in ascending order, with the number one single transmitted last, shortly before kickoff. Spectators would sing along, but unlike with other hit singles, once “You’ll Never Walk Alone” dropped out of the top-ten, instead of dropping the song, supporters continued to sing along. The song was later adopted by Scottish team Celtic F.C., Dutch teams Feyenoord and FC Twente, Germany’s Borussia Dortmund, 1.FC Kaiserslautern, FC St Pauli and Japan’s F.C. Tokyo. The Pink Floyd song “Fearless”, from their 1971 album Meddle, includes a recording of the Liverpool Kop singing “You’ll Never Walk Alone”. The recording is repeated many times during the song and appears solely as a conclusion at the end of the track. A special recording of the song was made in solidarity with Bradford City following the Valley Parade fire in 1985, when 56 spectators died and many more were seriously injured. The song was performed by The Crowd, featuring Gerry Marsden, Paul McCartney and Rolf Harris, among others. Some years later, after witnessing a rendition of “You’ll Never Walk Alone” at Anfield in 2007, the President of the Spanish Olympic Committee, Alejandro Blanco, said he felt inspired to seek lyrics to his country’s wordless national anthem, the Royal March, ahead of Madrid’s bid to host the 2016 Olympic Games. The song was also performed by 17-year-old highschool student Alina Schmidt at the public funeral of German football goalkeeper Robert Enke (who committed suicide after years of suffering from depression) to an audience of 45,000 at his team’s Hanover’s stadium on November 15, 2009. The song was sung by supporters of the A-League team Brisbane Roar to commemorate the victims of the 2011 Queensland Floods at the 2011 A-League Grand Final. So U Wanna Record Deal?? Four steps to get your foot in the music industry door Maybe this title is a little misleading, I am not giving you a roadmap to certainty, this is only my personal experience and how things worked out (or not) for me. I thought about writing this blog post after Read more Classic Song Series: No. 1 River Deep Mountain High: Ike & Tina Turner “River Deep - Mountain High” is a 1966 single by Ike & Tina Turner. Considered by producer Phil Spector to be his best work, the single was successful in Europe, peaking at #3 in the United Kingdom, though it flopped on its original release in the United States. Spector claimed to be pleased with the response from the critics and his peers, but he then withdrew from the music industry for two years, beginning his personal decline. After Eric Burdon covered the song in 1968, it was re-released a year later, and has since become one of Tina Turner’s signature songs. Written by Spector, Jeff Barry, and Ellie Greenwich, “River Deep - Mountain High” was among the first recordings that Ike & Tina Turner did for Phil Spector’s Philles Records. Spector was well aware of Ike Turner’s controlling attitude in the studio, and resultantly drew up an unusual contract: the River Deep – Mountain High album and single would be credited to “Ike & Tina Turner”, but Ike was paid $20,000 to stay away from the studio, and only Tina Turner’s vocals would be used on record. The track was recorded using Spector’s “Wall of Sound” production technique, and cost a then-unheard of $22,000, and required 21 session musicians and 21 background vocalists. The single entered the lower end of the Billboard 100 and stopped at #88 on the pop charts. Even though it had better fortune in the United Kingdom, peaking at #3 in the singles charts on first release, Spector was so disillusioned that he ceased involvement in the recording industry totally for two years, and only intermittently returned to the studio after that; he effectively became a recluse and began to Rolling Stone put it at #33 on its list of the 500 Greatest Songs of All Time. George Harrison praised the record, declaring it “a perfect record from start to finish.” “River Deep - Mountain High” compared a woman’s love and loyalty, respectively, to that which that a child feels for a doll, and a puppy has for his master. Key Personnel Lead vocals by Tina Turner Lyrics River Deep Mountain High And it gets stronger in every way And do I love you my oh my When you were a young boy ‘Cause it grows stronger like a river þows And do I love you, my oh my I love you baby like a þower loves the spring |
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