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Mercury Music Prize New Sponsor! Barclaycard and the Mercury Prize have announced a major new four-year partnership that sees Barclaycard become title sponsor of the prestigious arts prize with immediate effect. Read more
The Enemy: 02 Academy Liverpool 2009 The Enemy are an English rock band formed in Coventry in 2006, signed to Warner Music Group (UK). In June 2007. The Enemy played twice at Glastonbury Festival, first in the ‘Guardian Lounge’ on Saturday and then the much larger ‘Other Stage’ on Sunday. They also headlined on the Saturday night of T In The Park in the ‘Futures’ tent on 7 July 2007. Read more Twisted Wheel: Liverpool 2009
Read more Kid British: Liverpool 2009
Liverpool 02: March 2009… The global economy is in freefall. House repossessions are at a high. Woolworths is no more. But forget the credit crunch for a moment: Manchester four-piece, Kid British, are here to sprinkle some interest-free sunshine on what could be a bleak and bankrupt springtime. Read more VersaEmerge: EP & Live Dates…
Introducing VersaEmerge who hail from Port St.Lucia, Florida. They are the latest signing to the prestigious Fueled By Ramen label and have been named as one of the ‘100 Bands You Need To Know in 2009′ by Alternative Press. The band are currently out on tour in the US before making their UK debut at the Give It A Name ‘Introduces Tour’ in April. They also play the Give It A Name festival at Manchester’s Academy on April 18 and London’s Brixton Academy on April 19. For some people creating music is a choice, but for others it’s what they were born to do. VersaEmerge clearly fit into the latter camp. VersaEmerge was formed by drummer Anthony Martone and guitarist/vocalist Blake Harnage back when both members were in high school. Although the duo instantly experienced regional success selling out their first ever gig and gaining critical acclaim in their local music scene, it wasn’t until the band solidified their line-up—which currently includes guitarist Jerry Pierce, vocalist Sierra Kusterbeck and bassist Devin Ingelido—that things really started happening for this dedicated group of teenagers. “When Sierra first tried out for the band we didn’t know what to expect,” Harnage explains, adding that the then sixteen-year-old female vocalist lied about her age in order to land an audition. “She’s always been amazingly talented, but now she’s learning how to use that talent to its full potential.” While most of us were studying for tests and trying to sneak into R-Rated movies, VersaEmerge were busy crafting a brilliant EP of original material called Perceptions that attracted the attention of Fueled By Ramen. It’s not difficult to see why: Songs like the midtempo rocker “Clocks” showcase the band’s ability to create multi-layered sonic textures that serve as the perfect backdrop for Kusterbeck’s powerful vocals while melodic anthems like “Past Praying For” add a welcome layer of depth and musicianship to the typical pop-punk paradigm. In addition to listening to everything from Björk to Thrice during their free time, the band have toured with artists in nearly every genre and taken a little bit from each of these varied experiences in order to come up with something completely unique and unprecedented when it comes to their own music. “We’ve gone on tour with everyone from dance-pop to metal bands,” Harnage explains with a laugh. “I guess people seem to think that we can play with pretty much anyone.” The band will soon be touring with We The Kings and Chiodos’ Craig Owens. More recently the band spent time refining their new material and releasing their debut EP for Fueled By Ramen with James Paul Wisner (New Found Glory, Underoath). “I think we’re getting closer to finding our sound,” Harnage explains when asked about the band’s yet-to-be-released material. “It’s dark and eerie, but at the same time it’s powerful and something that people can really relate to.” Ultimately VersaEmerge are just excited to hit the road and get their music out to people on a larger scale than ever before—and they realize that right now is finally their chance to make that dream a reality. “We know that this going to be the best year of our lives,” says Martone, “and it’s going to be the hardest working year our lives, too.” When you consider the palpable excitement showcased by fans at the band’s incendiary live performances and the positive feedback from blogs and Web sites all over the world, it’s difficult to imagine how 2009 couldn’t be the year that VersaEmerge become the breakout band that everyone will be talking about. “We’re just thankful to have this opportunity,” Harnage acknowledges. “There’s no way that we’re going to blow it.” Delta Spirit: Live
After finding this bands LP to be a contender for ‘Album Of The Year’ Shakenstir headed off to Manchester to see if Delta Spirit could cut the mustard live… Hot Dogs at the ready… It all started with a innocent-looking, simple card-sleeved promo CD popping through my letterbox. I listened once and thought, ‘interesting but not devestating’, and then put it to one side for later, for more considered listening. And there it remained until I started planning a future radio show and the selection of a ‘feature’ album from which 3 songs would be played. Read more Black Poets: Brand New… Debut album release - Innocents And Thieves for London newcomers Black Poets: Stephen J. Good (Guitar) Billy Randall (Bass) Gerard Lecain (Vocals/Guitar/Songs) Ben Mückenschnabl (Drums) Read more
Radio 1: Live Summer…
BBC Radio 1 today unveils its live music and events programme for 2009 – and it features a sizzling summer of UK-based events. Kicking off the UK festival season is Radio 1’s Big Weekend. The station’s flagship event returns on 9 and 10 May and this time the UK’s biggest free ticketed music festival comes from Lydiard Park in Swindon.
The station will once again be at all the major UK festivals including Glastonbury, Reading/Leeds, T in the Park and Creamfields.
Throughout the summer BBC Introducing will be hosting stages alongside Radio 1 at the major festivals – including T in the Park for the first time – giving unsigned, undiscovered and under-the-radar music artists and DJs discovered across the BBC a chance to play.
Alongside the festival mayhem, Radio 1 is setting off on a Young UK Summer Tour with presenter Greg James and the Switch team visiting towns and cities across the UK.
On top of that, Scott Mills heads to Scotland as Radio 1 makes its debut at the Edinburgh Fringe Festival.
Radio 1 will also be broadcasting from some of the biggest UK dates in 2009 including stadium shows from Take That and Coldplay.
And the station also returns to specialist music events including the Underage Festival, the Warehouse Project, Eurosonic and Sonar.
Jason Carter, Editor, BBC Live Music & Events, says: “It’s a packed year again for Radio 1 – with Big Weekend, a presence at all the major festivals and lots of activity aimed at the younger end of our audience. We’re also delighted to be visiting the Edinburgh Fringe for the first time.
“Throughout the year we’ll continue to support a range of new music and emerging artists as well providing a platform for live music.”
Already this year Radio 1 has demonstrated its continued commitment to live music at every level with Franz Ferdinand at Maida Vale; U2 at the Radio Theatre; through to supporting the Hard Dance and Drum & Bass Awards and events such as Bloc Weekender. Collapse Under The Empire SYSTEM BREAKDOWN (self-release) I’ve got to say, I am not a fan of instrumental bands and always feel that the lack of vocals leaves too large a gap in the overall sound, no matter how good the musicians happen to be. When I first came across CUTE I had no idea they were such a brute and maybe would have passed them by had I known. But hey, I listened and quickly recognised that they are actually a very good outfit indeed. In order to gain recognition as an instrumental band, the musicians have to be accomplished and this lot are certainly that. Further research reveals that they are merely a duo, which make the resultant sound that much more remarkable. Harking from Hamburg, Martin Grimm plays guitars and Chris Burda keyboards, whilst they both have a bash on the drums. SYSTEMBREAKDOWN is their self-released debut album and is a carefully assembled collection of pieces that illustrate their virtuosity incredibly well. Right now, you may be disinterested but the manner in which they perform needs to be listened to. From ethereal melodies to swamping magnum opus grandeur, they are clearly a capable couple of guys. The number of musical sub-genres these days is crazy and ‘post rock’ is perhaps one of more absurd tags but that is where these guys sit. If you are an aficionado of Mogwai then you will fall in love with CUTE too. There is a harder edge to much of the material here though and they gave me fond memories of My Vitriol in full flow. At other times, they enter a more progressive field and again seem able to pull it off with ease. They haven’t made me change my mind and I remain convinced that the addition of vocals would be hugely beneficial, but they deserve credit for exercising their creative freedom here in such a formidable manner. I recommend! 3.5/5 TC www.myspace.com/collapseempire
Thomas Truax & David Lynch Excerpts from FBI Interrogation of Thomas Truax: FBI: Why David Lynch? TT: I think we share a similar taste for certain brands of strange and beautiful vintage rock n’ roll. And for good shoes. (The first thing he said to me when we were introduced was ‘Wow man, cool shoes!” ) I’ve also had my own music described more than a few times as the ‘perfect soundtrack for a David Lynch film’, so it seemed a natural. He always picks (and sometimes has a hand in writing) great songs for his films. At least half these songs I could have easily chosen outside the context of their association with the Lynch films. ‘I Put A Spell On You’, for example. In a way I was just lucky that a version ended up in ‘Lost Highway’, because the original Screamin’ Jay Hawkins version was something I loved even as a kid. Curiously the Backbeater (self-made motorized rhythm contraption Truax wears on his back) had broken down a while ago and was now only able to play one wonky rhythm, but this wound up being the perfect beat for ‘Spell’. Serendipity like that happened all the time in the making of this album, it was one of those projects where everything just went right. Photo By Chris Saunders FBI: You’re known for your very original songs. Why a covers album? TT: A great song is a thing to celebrate, worth revisiting in different times. A strong song will glow in different ways through different voices. I really love all these songs, I love playing them and I feel an affinity for them. I only chose songs that I felt I could do something new with, twist or cast a different light on. One has to remember that in the history of music it’s a relatively recent trend that singers even wrote their own songs. And It wasn’t long before that that songs travelled and got known by being passed on from player to player or via sheet music and got around by different musicians playing them, rather than in any fixed recorded medium. So covers are a traditional part of a music person’s life. FBI: You’re known for your very unusual self-made instruments. Why an album that is mostly guitar based? TT: My first inspiration was to do it all in a very stripped down rockabilly style, just me on vibrato guitar and voice backed by my (mechanical drum machine) Mother Superior. But then I found myself recording bats via a bat detector in Barnes (London) and thinking I’ve just got to use these sounds (they provide rhythm on ‘In Heaven’) I realized I had set my goals too narrow. So there’s a fair share of self-made instruments and other sounds but I do love guitar and it is always part of my process to ask of a song: does it need more than guitar? Sometimes yes, it needs bass, or it needs bats, or Hornicator, or what have you. Other times no, keep it simple and sparse, let the reverb of the room have some space to work it’s magic. In it’s original version ‘I’m Deranged’, the Bowie/Eno song, is this very busy rhythmic-dominated kind of drum n’ bass-y thing. The chord progression that almost gets lost in that context is just beautiful though. As a mostly solo artist on a limited budget, I often take a deconstructive approach. FBI: Are you going to be doing a Lynch-themed live show when you tour this spring and summer? TT: You bet! FBI: Will it feature a backwards-speaking dancing dwarf? TT: Are you available? FBI: At times you’ve been referred to as antifolk, steampunk, or part of the one-man-band resurgence.. How does this album fit in with all that? TT: It doesn’t.
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