|
JKLMNO: The Alphabet Band! JKLMNO Read more
Hoobastank FOR(N)EVER (Island) “Aaaaah Hoobastank, didn’t they do that ‘Reason’ song back in 04?” Diehard fans of the band must get rightly pissed off with hearing that, but I’m afraid the song remains one of those tunes everybody remembers but few can recall who recorded it. I am no diehard fan, but I don’t really rate ‘The Reason’ that much and prefer to hark back to 2001’s ‘Crawling In The Dark’ for inspiration. Back then they were one of a bunch of bands tugging at the shirttails of Nickelback, being strapped together with duct tape and thrown in a box labeled ‘Nu metal’. It quickly became uncool to be such, so these days their box says ‘post-grunge’! Most of us will be forgiven for having lost track of Hoobastank, and you may even be guilty of using my opening statement, but they are indeed still around and this is album number four from the Californian four piece. There will be few who take the time to discover it now I guess, but here at Shakenstir we are somewhat more discerning! And that’s a good thing right now, because this album is really quite good. They don’t break much new ground with it but the performance is astute and polished. There remains an association with Nickelback, but only really on the more commercial tracks like singles ‘My Turn’ and ‘So Close, So Far.’ Others, like ‘The Letter’, serve much better to illustrate the band’s style. A style which is hard but firm, with chunky guitar riffs, a chugging rhythm section and clarity of vocals, which may all still sound like Nickelback but there’s a harder edge here. When that edge gets even harder, the band is at its best, with tracks like ‘Who The Hell Am I?’ and ‘Gone Gone Gone’, both of which exude an abundance of unrestrained energy. Lyrically it’s all quite mundane and doesn’t really move out of Sum 41 territory so it’s really in its musical content that it shines through. The band performs well as a unit and they do so even better on stage. There isn’t enough here to invite the more sceptical to climb on board but if you’re getting tired of listening to DARK HORSE then give this a spin! 3/5 TC
J Tillman VACILANDO TERRITORY BLUES (Bella Union)
J Tillman is the multi-talented drummer and backing vocalist in Fleet Foxes, one of the most celebrated acts of 2008. Tillman actually starting releasing records back in 2004 but this is only his second album to secure European-wide distribution. In my view Tillman is more interesting than Fleet Foxes and that other highly-hyped singer/songwriter, Bon Iver. A brief and beautiful introduction (‘All You See’) is followed by one of my personal favourites from the album, ‘No Occasion.’ A firmly plucked acoustic opens the song before Tillman takes the reigns with an expressive, gentle vocal capable of moving one to tears. There’s a strong melody and background instrumentals that add depth and drama to a song that leaves a deep impression. ‘Firstborn’ arrives with soft-swaying backing vocals and acoustic hum in another intimate musical interlude of glacial pace and emotional introspection. ‘Vessels’ exemplifies the home recording ambience of the whole album in no uncertain way. One can hear it in the voice that resonates against walls and in the purity of the acoustic guitar sound. The song also provides a clue as to where Fleet Foxes found that signature sound that has impressed so many. ‘James Blue’ features piano notes and hand-claps as it wanders along like a softly fllowing stream. ‘Steel On Steel’ takes on a more rocky folk sound and faster pace before ‘Laborless Land’ reverts to the album’s dominating introspective ambience. ‘Barter Blues’, as its title implies, is a slow-moving blues song with the most judiciously arranged acoustic sounds, and a glorious vocal communicating yet another set of meaningful lyrics. Amongst so many highlights this song represents my favourite with the instrumental arrangement contributing substantially to my choice. The crashing finale is something to behold… Tillman has come up trumps with this song collection and occasionally surprises as he strays away from the quiet and introspective. Fans of Fleet Foxes and Bon Iver take note, this album beats them both… 4/5
The Answer EVERYDAY DEMONS I suspect strongly that it was this album that convinced AC/DC to enlist The Answer as the band’s opening support for the forthcoming world tour. The Answer hail from Northern Ireland and, if there’s any justice in this generally unjust music marketplace, the boys could end up pulling big-time, worldwide. Read more
Morrissey YEARS OF REFUSAL (Polydor) There’s much more to a good album than just the artist’s name. A good album in my book is made up of songs with good melodies and lyrics, good production (sound quality) and, of course, good vocal performances. Now I admit I’m not Morrissey’s greatest fan, but on this occasion I feel he’s produced his best solo album to-date - by a country mile. In one sense Morrissey rows my boat and that’s in the instrospection that dominates his solo and band work. Dark is good… ‘Something Is Squeezing My Skull’ is indeed dark but there’s thin shafts of light emerging from behind those dark clouds. The song opens in heavy rock style with pounding drums and diving guitar notes before M bursts forth with truckloads of energy. Lyrically the song is unambiguous; “I’m doing very well, it’s a miracle I even made it this far…” and he continues to explain that he really doesn’t give a damn about what others think. Sonically and instrumentally it’s top-drawer. ‘Mama Lay Softly On The Riverbed’ points to a catastrophic personal event with lyrics and instrumental arrangement that are hard-hitting, but his vocal delivery just doesn’t match the song’s sad story. ‘Black Cloud’ is one of the album’s highlights with its wonderful acoustic guitar solos (especially during the song’s opening moments), while ‘I’m Throwing My Arms Around Paris’ majors on melody and lonliness. ‘All You Need Is Me’ is another highlight with its rocky backdrop and strong production which allows M’s voice to tower over proceedings. The vibrance and exuberance of Tex-Mex contributes largely to the success of In truth, there isn’t one bad song here and a few pretty special ones. I also like the diversity of sounds from heavy rock to string-laden ballad. It’s a beautifully produced album that I can heartily recommend. 3.75/5
The Brits Belong To Duffy! The Brits 2009 is dominated by the North Wales Girl who a year ago would not even have got into the event, The Brits was also watched by less people in 2009 than last year, only the live performances saved the day. Both The MTV European Music Awards and The Grammys were far superior, Shakenstir Ed Tone took the dog out for a piss and turned off after half an hour, did he miss much, did he F… Read more The Enemy WE’LL LIVE AND DIE IN THESE TOWNS. WEA In my recent live review of The Enemy I concluded that they are a band of youth playing for the youth, and what impact they will have on the wider audience is debatable. After spending some time with their debut album I would like to say what a load of bollocks those comments were, and that this is a band of right now with something that most of their contemporaries forget to do – write tunes – absolutely brutal, mind-bending, glorious tunes – and by the bloody truck load. Read more
Phil Campbell: UK’s Best Male Vocalist! Once in a blue moon, an album appears whose quality and beauty places it in that very special category of all-time greats. In 1997 I discovered Jeff Buckley’s GRACE which, in common with many great albums, sold in only moderate quantities on initial release in 1994. I should explain that my love for music had diminished over a period of many years for reasons I cannot explain (except that it was rather like playing cricket when I went from playing every weekend to not playing at all after I became a father). My interest returned after I read a wonderful summary of What Hi Fi’s top 50 albums of all time (which I had bought to help my son buy his first audio system). I decided I would invest in some decent audio equipment myself and would acquire What Hi Fi’s top 50 albums to ‘get the ball rolling’ again (the positive power of the media…..). And so, I came to meet Jeff Buckley and GRACE, and established a standard by which I subsequently reviewed and assessed the music of others. Within weeks I came across Phil Campbell’s song Hope, Faith & You via a Q magazine compilation CD of the best new talent. I was blown away by this beautiful and moving song, and finally acquired Campbell’s debut album, FRESH NEW LIFE, at the bargain price of £2.99 at MVC. I was shocked that such a great and new album was being sold off at this quite ridiculous price. I just couldn’t understand it but was delighted that I was able to acquire such great quality for so little. I then acquired a Phil Campbell EP from HMV and then came across further copies selling for 60p at a car boot in Bingley, Yorkshire. I bought every copy. Almost two years year later when my involvement in music had reached a professional journalistic level, I went back to FRESH NEW LIFE when looking to write about some albums I personally regarded as recent classics. I tried to find Campbell but he had disappeared. I tried everything including contacting his record label EMI and placing a request for information on our web site. Nothing! In each subsequent year I have spent some time in searching for him and suddenly I struck gold. I put in a search into Google and there he was under the guise of a band called White Buffalo. My search had lasted several years and I was elated and, I admit, quite overcome…… You see, FRESH NEW LIFE had come along at a very emotional and difficult stage in my life, and it therefore had an extra-special meaning for me. After several more months had passed I finally secured the interview and story that I had spent years seeking. It is an open, inspiring and moving account of a young and highly talented young man and musician. It is also highly relevant to aspiring musicians and the industry that purports to support and promote them. Blistering Records: FREE Lion’s Share Download! BLISTERING RECORDS offers free LION’S SHARE download Read more
Little Steven’s Underground Garage! • Little Steven’s Underground Garage airs every Monday from 8pm to 10pm on Absolute Radio Classic Rock, which can be found nationally on DAB and at 1215AM, in London and the south-east at 105.8FM, and online at http://www.absoluteradio.co.uk Read more |
|
|||||||||||||||||
|
||||||||||||||||||