Shake Revelations Radio Specials

  Sandy Denny: The Lost Song!

  Goo Goo Dolls: The Rest Of Us!

  Opeth: Albert Hall: Live DVD

  101 Ways To Market Your Music!

  Blue Horizon: The Black Angels

  Tunited: Make Love Share Music

  Mercury Prize 2010 Nominees

  Iron Maiden: The Final Frontier

  Anais Mitchell HADESTOWN

  New Album Reviews

  The Union: Modern Classic Rock!

  Pantera: Cowboys 2010

  The Loving Cup: 2010: Their Year?

  Black Soul Strangers: Irish Gold

  Peace One Day: Sept 2010

  Voyager: Australia Rocks

  OZZFEST: UK: September 18th

  Attack Attack: Debut UK Tour!

  Stuart Cable: Memorial Single

  Tom Jones: Praise and Blame

  Sound Of Guns Debut LP: Fire!

  Katherine Jenkins: Llangollen Gala

  Gimme Some Truth: October

  Rosaline: The Vitality Theory

  Coheed And Cambria Interview

  Rainer: Story Teller Supreme

  Editor’s Blog: 2010

  Jimi Hendrix Life, Times & Fire

  Frames Albums Re-Released +

  The Acorn: No Ghost (Bella Union)

  Lone Wolf: The Devil And I

  Roger Waters The Wall Tour 2010

  We7: Breaking The Mould

  Sonisphere 2009 Revisited


My Chemical Romance Live

Manchester MEN, 24 March 2007

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Story One DISPOSABLE. Shy Records

Now here’s an album that you can download for FREE at the band’s website: www.storyone.co.uk, and frankly it beggars belief… It’s a beauty by a new English band just putting the finishing touches to another album. Now if this freebie is so good, what’s the paid-for one going to be like? Think of a darker, more emotional Coldplay or Keane… oh, and so much better…

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T.D. Lind LET’S GET LOST. Tell Tale

It’s not often that one puts a new CD into the player and is immediately struck by its quality – big time! The fact that singer/songwriter TD Lind records on a small and humble indie label is no real surprise since many such labels find their way into the top echelons of our ‘best of year’ list. This is a pretty special album…

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The Dears & Keane Live in London



Keane are one of those bands who have outgrown their humble indie beginnings and as a result have become a punch-bag for the self-proclaimed cool music mags (well NME…). This is pretty much the same as the Stereophonics - got too big and people translated this (wrongly) as selling out.

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Shiny Toy Guns WE ARE PILOTS. Mercury

While I have to admit that electro rock/pop is not really my bag, there’s something seductive about the Shiny Toy Guns, and I strongly suspect that on the strength of this album the band could go on to shift units big style…

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The Arcade Fire NEON BIBLE. Sonovox

One newspaper review I read stated that “This is only their second proper album, but already Arcade Fire sound short of ideas.” The Arcade Fire’s last album FUNERAL was just a bit special for several important reasons, including that of displaying the band’s very distinctive and original sonic signature. But even more important was the band’s ability to translate that very complex sound to live performance – something they managed with spectacular success, and endeared them to a growing band of fans. The challenge of following up FUNERAL is rather like Radiohead trying to exceed the quality of OK COMPUTER, an impossible task. So what do you do? Well, you stick to the sonic landscape that works best for you on stage and in the studio, then it’s fingers crossed and just do your friggin’ best. And that’s precisely what Arcade Fire has done here…

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