Shake Revelations Radio Specials

  Sandy Denny: The Lost Song!

  Goo Goo Dolls: The Rest Of Us!

  Opeth: Albert Hall: Live DVD

  101 Ways To Market Your Music!

  Blue Horizon: The Black Angels

  Tunited: Make Love Share Music

  Mercury Prize 2010 Nominees

  Iron Maiden: The Final Frontier

  Anais Mitchell HADESTOWN

  New Album Reviews

  The Union: Modern Classic Rock!

  Pantera: Cowboys 2010

  The Loving Cup: 2010: Their Year?

  Black Soul Strangers: Irish Gold

  Peace One Day: Sept 2010

  Voyager: Australia Rocks

  OZZFEST: UK: September 18th

  Attack Attack: Debut UK Tour!

  Stuart Cable: Memorial Single

  Tom Jones: Praise and Blame

  Sound Of Guns Debut LP: Fire!

  Katherine Jenkins: Llangollen Gala

  Gimme Some Truth: October

  Rosaline: The Vitality Theory

  Coheed And Cambria Interview

  Rainer: Story Teller Supreme

  Editor’s Blog: 2010

  Jimi Hendrix Life, Times & Fire

  Frames Albums Re-Released +

  The Acorn: No Ghost (Bella Union)

  Lone Wolf: The Devil And I

  Roger Waters The Wall Tour 2010

  We7: Breaking The Mould

  Sonisphere 2009 Revisited


one world, one day, peace!

The Walkmen A HUNDRED MILES OFF. Nonesuch

One of my favourite albums of 2004 was BOWS AND ARROWS by New York band The Walkmen. Hamilton Leithauser, Walter Martin, Peter Bauer, Matt Barrick and Paul Maroon had created a brutally honest and highly distinctive sound in a year when pretty much everything sounded the same. But the thing that struck me most with the album was its emotional intensity, and the question arose as to whether the next album would be as good. A HUNDRED MILES OFF is the new album and marks this band out as one of the most interesting to emerge in the last ten years.

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Ani DiFranco REPRIEVE. Righteous Babe

There are very few artists around today who are capable of creating the total, serious, musical experience. By this I mean that all the key components required of great contemporary popular music are present and correct. It still remains a mystery to me why and how our expectations of what great music is have been driven down mercilessly by the pile-driver of media (print and electronic) mediocrity. In the last few days UK band the Arctic Monkeys were judged to have recorded the best UK album of the year by the Nationwide Mercury Prize jury panel (quote, “regardless of hype and sales.”). It was the band’s debut album and while of a reasonable standard did not justify its elevated, supreme status. The very best music generally seldom offer instant thrills or generate the level of hype and reviewing herd mentality so often evident today. My point here is that the greatest music remains unheard and unrecognised by the masses, and artists like Ani DiFranco stay almost subterranean in popular terms, while enjoying worldwide loyalty and respect from ‘those in the know.’

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Sergeant Buzfuz THE JEWELLED CARRIAGEWAY. Blang

With the band’s new album comes a new line-up of musicians to accompany the vox and guitar of Joe Murphy. On cello and bass is Jon Clayton, Eilish McCracken is on violin and whistle, while Martin Parker is on drums. The end result is the band’s best, most cohesive album to-date. There’s a strong folk vibe with the traditional string backdrop, while the song writing is much more tuneful and interesting.

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Nationwide Mercury Prize 2006 Winner Announced

Arctic Monkeys Win Nationwide Mercury Prize

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