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The Fallout Trust IN CASE OF THE FLOOD. At Large

There’s been a minor flurry of new UK bands attempting to bridge the gap between radio-friendly pop and rock. Right now, the band to compare them with is Canada’s Arcade Fire that set the standard with debut album FUNERAL. I’m pleased to report that bands like Morning Runner and this one have added their own distinctive flavour to a genre actually started by another UK band, Spiritualised back in the last decade.

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Morning Runner WILDERNESS IS PARADISE NOW. Parlophone

It’s unusual to find a young band that was formed and signed by a major label in the same year. Well, that’s what the UK’s Morning Runner managed to achieve in 2004, followed by the completion of this debut album, due to land very soon, in 2006. The band has wisely taken to the road since being signed, and next month undertake one of the most intensive nationwide promo tours I can remember (with just two days off in the month). Now all this is good news because Morning Runner has something different and exciting to offer. Musically, the band can be slotted under the indie pop/rock category, and in comparative terms think a slightly more disciplined version of Canada’s Arcade Fire with piano playing a more dominant role.

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Richard Ashcroft KEYS TO THE WORLD. Parlophone

When Chris Martin declared Ashcroft, ‘the best singer in the world’ on the stage of last year’s Live 8 gig, I cringed, and then wondered why. Well, for starters I know that the easily led UK music media seems to hang on Martin’s every word, and it would be a declaration oft repeated on TV and elsewhere. Then, of course, both acts are label mates and it’s likely that their appearance together on stage was close to a ‘promo’ event, designed to help Ashcroft’s new album sales following previous solo releases that scanned below expectations. I also recently noticed that Ashcroft is supporting Coldplay on the band’s forthcoming UK tour. My conclusion is that the music business is becoming even more incestuous, and increasingly we have to trust the judgement of our own ears. On the evidence of KEYS TO THE WORLD there is nothing that Coldplay can teach veteran Ashcroft. Of course he doesn’t have the best voice in the world, but it is a strong voice, an expressive voice, and a distinctive one.

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Broken Social Scene BROKEN SOCIAL SCENE. City Slang

You know, it seems to me that there is always one, then there’s a shit load. In the 80’s in Los Angeles, there was a scene (no pun intended) that did not exist before Guns and Roses. The same could be said for Seattle and Nirvana - you are starting to form the picture. Well, it would also seem that before Arcade Fire, Canada had not produced anything, don’t please tell Alanis, Avril, KD Lang, Rufus and Martha Wainwright, Neil Young, Bryan Adams, Shania Twain or Nickleback for fuck’s sake! Or maybe Canada had not produced anything that the UK’s 21st Century ‘in-crowd’ thought was worth a dime! That’s a different story, I thought music was about… err… music! I love every artist mentioned so far, and I also have a new love affair!

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Sleepless In Seattle - THE BIRTH OF GRUNGE. Livewire Recordings

So do you ever sit there looking back at the last century and think ‘Grunge, what the f**k was that all about?’ Well it’s been 20 years since the river turned green! Singles my arse! This is a compilation of 20 rare tracks from some of the most influential bands to come out of the Seattle scene and certainly goes along way to answering that question. Chronicling the beginnings of Seattle’s underground rock movement from the mid 80s to early 90s, the album features seminal recordings from the pioneers of the grunge-era movement, including Green River, The Melvins, Malfunkshun, Screaming Trees, Mudhoney, Babes in Toyland, Tad, Skin Yard, The Gits, 7 Year Bitch and the Supersuckers, among many others. Widely considered the first grunge band, Green River (featuring Pearl Jam’s Stone Gossard and Jeff Ament, and Mudhoney’s Mark Arm) released their debut album COME ON DOWN in 1985, giving birth to a new movement in music that would continue for over a decade. You may scream, ‘What no STP, Soundgarden, AIC, Mother Love Bone,’ but this record is all about the birth, so let’s hope there is a volume II & III, because while this album will floor you with some stunning tracks, more volumes will surely blow you away!

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Idiot Pilot STRANGE WE SHOULD MEET HERE. Reprise

Seems like only yesterday that an EP dropped through the door from these chaps called, TO BUY A GUN. It was special, one I did not have to throw straight out of the window onto the M53 while driving to Liverpool. So it’s been a while waiting for this album to drop, but drop it has, like a V2 Schneider from a great height. Nothing is forever, nothing is expected, everything is achievable in the here and now! They mix electronica - does anyone know what the f**k that was, where it went and who really gave a f**k (answers on a postcard…). This is Emo but with a beats twist, like The Cure, hanging with Marilyn - no, not that one, the scary one. But also throw some Joy Division shapes and add in some sweet sticky melodic pop overtones, oh yeah, and some Deftones.

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Thrice VHEISSU. Mercury

I first became aware of this band around 2004 with the release of THE ARTIST & THE AMBULANCE. It was a stunning discovery which led me to acquiring THE ILLUSION OF SAFETY, and their debut record IDENTITY CRISIS.

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GIVE IT A NAME Festival 2006 Preview

Give It A Name: Manchester MEN Arena and London Earls Court

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Stephanie Kirkham SUNLIGHT ON MY SOUL. SLK Music

I admire artists that record on their own labels and work hard to generate a loyal following. I admire them even more if they can write and perform great music. Stephanie Kirkham writes beautiful lyrics, records on her own label, and has built a fan base out of nothing. Now for me that’s a great start, but there are many fabulously talented singer/songwriters out there that she has to compete with in order to sustain artistic viability. And the competition is intense, diverse, and better.

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Claire Sproule CLAIRE SPROULE. Parlophone

The debut album from 21 year old Claire Sproule is a mesmerising and disarmingly honest record that lets the songs speak for themselves. It’s the last clichéd few words from this PR blurb that has me worried. You see, the problem is that songs can’t speak for themselves, someone has to communicate them, unless of course you’re an Ani DiFranco or Laurie Anderson quality of music poet. And believe me they are few and far between. No, in usual circumstances a song needs a singer, preferably the same person who wrote the song, in order that the connection can be made with feeling and truth. Of course, much more goes into the melting pot, not least a decent melody and instrumental arrangement, but even without these if a singer and song are strong enough the message can get through – loudly and clearly. The connection can be made between singer and listener.

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