Beth Nielsen Chapman ‘Back To Love’

  Chimaira Interview 2010

  Great New Nikon Ad Campaign

  Gods Of War III: Roadrunners!

  Carly Simon New Album Review

  Airbourne: No Guts, No Glory!

  Plastic Beach: Gorillaz Are Back!

  6 Music: Rock ‘n’ Roll Swindle?

  Liars SISTERWORLD (Mute)

  Serj Tankian, Live & Symphonic!

  Ian Brown: Coming Home…

  David Ford ‘Let The Good Times Roll’

  Europe & Diamond Head Live

  David Ford, Hannah Peel Live

  Dommin: Love Is Gone…

  Exit Festival 2010

  Melt Festival: July 2010

  12 Stone Toddler: Scheming

  Wychwood: Seth + Levellers

  Dan Berglund’s TONBRUKET

  Phenomenal Handclap Band Dates

  Midlake Live in Manchester

  Dangerous New Machine Mud Sticks

  The Suzukis: Rev The Red Line

  Reckless Love: Debut Kicks Ass!

  Behind The Suit And Tie…

  Return Of The Heroes

  The Glitterati: R U 1 Of Us?

  Flymore: March: Live: UK

  Dark Days: Dark Knights…

  Katey Brooks PROOF OF LIFE

  Melissa Auf der Maur: OOOM

  Broken Social Scene New Album

  Peter Gabriel: Scratch My Back

  Goldhawks: London Calling!

  The Swell Season Live: 2010

  Steve Gullick Photo Expo & Music


Rosie Thomas IF SONGS COULD BE HELD. Sub Pop Records

Thomas’s previous albums have disappointed with their lack of a definable direction and scant melodies. But this one is very different, and hugely better.

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Ryan Adams & The Cardinals JACKSONVILLE CITY NIGHTS. Lost Highway

Well, it was only ever a matter of time before Ryan Adams released an album of songs with a Nashville country dialect. From his first solo album, HEARTBREAKER (a classic modern recording if ever there was one), he has bombarded us with great album after great album featuring his endearing voice, glorious melodies and supreme song writing. JACKSONVILLE CITY NIGHTS is no exception.

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Craig Armstrong FILM WORKS 1990-2005. Family Recordings

Armstrong has long been a leading light in adapting and creating music with a distinctive dance vibe. But he has also become familiar to moviegoers for his now substantial body of film music work. This compilation picks out highlights from a film music career spanning fifteen years, from 1990-2005. Like several major film music composers, Armstrong’s repertoire covers a wide generic range of films including comedy, musicals, dramas and advertising. However, one common theme running through his music is a sense of heavy foreboding and dense ambience, aspects that I find compelling and highly enjoyable.

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The Frames Pick of November 2005 Gigs

Make A Date With The Frames

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Amplifier THE ASTRONAUT DISMANTLES HAL. spv

Last year Amplifier released an excellent debut rock album that should have attracted far more attention and sales than it did. In this scenario there is always the temptation to ‘dumb down’ and move to sonically more poppy pastures to attract radio airplay. Not so for Amplifier. This six-track EP (that plays for as long as most albums) takes a more experimental rock route

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Miki Huber FLUTTER

Miki Huber FLUTTER

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