Shake Revelations Radio Specials

  Sandy Denny: The Lost Song!

  Goo Goo Dolls: The Rest Of Us!

  Opeth: Albert Hall: Live DVD

  101 Ways To Market Your Music!

  Blue Horizon: The Black Angels

  Tunited: Make Love Share Music

  Mercury Prize 2010 Nominees

  Iron Maiden: The Final Frontier

  Anais Mitchell HADESTOWN

  New Album Reviews

  The Union: Modern Classic Rock!

  Pantera: Cowboys 2010

  The Loving Cup: 2010: Their Year?

  Black Soul Strangers: Irish Gold

  Peace One Day: Sept 2010

  Voyager: Australia Rocks

  OZZFEST: UK: September 18th

  Attack Attack: Debut UK Tour!

  Stuart Cable: Memorial Single

  Tom Jones: Praise and Blame

  Sound Of Guns Debut LP: Fire!

  Katherine Jenkins: Llangollen Gala

  Gimme Some Truth: October

  Rosaline: The Vitality Theory

  Coheed And Cambria Interview

  Rainer: Story Teller Supreme

  Editor’s Blog: 2010

  Jimi Hendrix Life, Times & Fire

  Frames Albums Re-Released +

  The Acorn: No Ghost (Bella Union)

  Lone Wolf: The Devil And I

  Roger Waters The Wall Tour 2010

  We7: Breaking The Mould

  Sonisphere 2009 Revisited


Rosie Thomas IF SONGS COULD BE HELD. Sub Pop Records

Thomas’s previous albums have disappointed with their lack of a definable direction and scant melodies. But this one is very different, and hugely better.

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Ryan Adams & The Cardinals JACKSONVILLE CITY NIGHTS. Lost Highway

Well, it was only ever a matter of time before Ryan Adams released an album of songs with a Nashville country dialect. From his first solo album, HEARTBREAKER (a classic modern recording if ever there was one), he has bombarded us with great album after great album featuring his endearing voice, glorious melodies and supreme song writing. JACKSONVILLE CITY NIGHTS is no exception.

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Craig Armstrong FILM WORKS 1990-2005. Family Recordings

Armstrong has long been a leading light in adapting and creating music with a distinctive dance vibe. But he has also become familiar to moviegoers for his now substantial body of film music work. This compilation picks out highlights from a film music career spanning fifteen years, from 1990-2005. Like several major film music composers, Armstrong’s repertoire covers a wide generic range of films including comedy, musicals, dramas and advertising. However, one common theme running through his music is a sense of heavy foreboding and dense ambience, aspects that I find compelling and highly enjoyable.

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The Frames Pick of November 2005 Gigs

Make A Date With The Frames

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Amplifier THE ASTRONAUT DISMANTLES HAL. spv

Last year Amplifier released an excellent debut rock album that should have attracted far more attention and sales than it did. In this scenario there is always the temptation to ‘dumb down’ and move to sonically more poppy pastures to attract radio airplay. Not so for Amplifier. This six-track EP (that plays for as long as most albums) takes a more experimental rock route

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Miki Huber FLUTTER

Miki Huber FLUTTER

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