Shake Revelations Radio Specials

  Sandy Denny: The Lost Song!

  Goo Goo Dolls: The Rest Of Us!

  Opeth: Albert Hall: Live DVD

  101 Ways To Market Your Music!

  Blue Horizon: The Black Angels

  Tunited: Make Love Share Music

  Mercury Prize 2010 Nominees

  Iron Maiden: The Final Frontier

  Anais Mitchell HADESTOWN

  New Album Reviews

  The Union: Modern Classic Rock!

  Pantera: Cowboys 2010

  The Loving Cup: 2010: Their Year?

  Black Soul Strangers: Irish Gold

  Peace One Day: Sept 2010

  Voyager: Australia Rocks

  OZZFEST: UK: September 18th

  Attack Attack: Debut UK Tour!

  Stuart Cable: Memorial Single

  Tom Jones: Praise and Blame

  Sound Of Guns Debut LP: Fire!

  Katherine Jenkins: Llangollen Gala

  Gimme Some Truth: October

  Rosaline: The Vitality Theory

  Coheed And Cambria Interview

  Rainer: Story Teller Supreme

  Editor’s Blog: 2010

  Jimi Hendrix Life, Times & Fire

  Frames Albums Re-Released +

  The Acorn: No Ghost (Bella Union)

  Lone Wolf: The Devil And I

  Roger Waters The Wall Tour 2010

  We7: Breaking The Mould

  Sonisphere 2009 Revisited


Ani DiFranco KNUCKLE DOWN. Righteous Babe

The other day I was stuck in a local traffic jam. In front of me was a Land Rover Freelander, and covering its rear light clusters were machismo-looking grids which served little or no real purpose. I wondered why superficial garnishing like this was used to spoil and otherwise attractive rearwards design. The superficial and meaningless dominates our life here in the UK and examples are legion – especially within the music industry. Take, for example, the practice of surrounding TV music performers with a bevy of beautiful men and women dancers, while the artist (more often than not) mimes the words to music that is obviously not worth singing for real. Then of course there’s the biggest pretenders (or liars) of all, the politicians, who, beautifully preened for TV, spout off rhetoric intended to make us believe they are worth voting for. It’s like we’re on a slippery slope down to nowhere; following trends, the media, advertising and celebrities like the most obedient sheep. It’s enough to make one puke.

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Tristania ASHES. Spv

Tristania is a band that has gained legendary status within its own underground scene. From the band’s 1998 album WIDOW’S WEED through to their last offerings, WORLD OF GLASS and TRISTANIA, the band has exhibited a melancholic style, awesome musicianship, diverse styles and a talent for song writing. The band has also been pushing the boundaries of symphonic Goth metal to the outer limits, and their latest offering, ASHES is no exception.

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The Frames Live, Manchester Lowry Centre 19 January 2005

An unexpected email from long-time buddy, JJ, led to my live music review year starting on such a high that I suspect other bands will struggle to match it in 2005. I live in hope but the Frames a few nights ago threw down one massive challenge.

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The Others THE OTHERS. Vertigo

I missed out on seeing this band perform in our local venue in December due to the untimely birth of my first grandchild. From the sound of this debut album it looks like I missed out on some seriously good fun…

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Athlete TOURIST. Parlophone

It was around two years ago that I first saw Athlete play in a local venue that did the band no sonic favours at all. But the band’s quality, distinction and good song writing managed to survive the very unfriendly ambience. The band’s debut album followed ad met with virtually unanimous acclaim, and a (deserved) Mercury Prize nomination. TOURIST is the latest chapter for a band that has continued to hone its skills with relentless gigging. In short, if anyone deserves success it’s Athlete.

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Mnemic Interview

Mircea (guitarist) answered our questions.

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Jay-Z Linkin Park COLLISION COURSE. Warner

A weird collaboration? Well, not really. Both parties are accomplished rappers, albeit with very different generic instrumental backgrounds. For this reason it’s a seamless record where the artistic joins are not that easy to spot, and is a collaboration that works a treat.

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